<> Ëó÷øèé ñåðâèñ äëÿ èçó÷åíèÿ àíãëèéñêîãî íà ñëóõ <> Ñåðèàëû è ôèëüìû ñ äâîéíûìè ñóáòèòðàìè <> Èãðû äëÿ èçó÷åíèÿ <> Ïðîâåðü ñâîé óðîâåíü àíãëèéñêîãî
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The Wish / Æåëàíèå (by Nicholas Sparks, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Wish / Æåëàíèå (by Nicholas Sparks, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Êíèãà-îòêðîâåíèå, â êîòîðîé ïîäíèìàþòñÿ ñàìûå èñêðåííèå è òàéíûå æåëàíèÿ ïðîñòîé ÷åëîâå÷åñêîé äóøè. Ïðåïÿòñòâèÿ ñòàíîâÿòñÿ äëÿ ãëàâíîé ãåðîèíè îäíîâðåìåííî ñèëîé, òîëêàþùåé íà íîâûå ñâåðøåíèÿ, è ðàçðóøåíèåì, îáíàæàþùèì òîíêîñòü æåíñêîãî ìèðà.  ñâîè 16 ëåò Ìýããè Äîóñ âûíóæäåíà ïåðååõàòü íà îòäàëåííûé îñòðîâ ê ìàëîçíàêîìîé ðîäñòâåííèöå. Äåðåâåíñêàÿ ñðåäà îáèòàíèÿ è ïî÷òè îòñóòñòâèå ëþäåé ïîñåëÿþò â ñåðäöå äåâóøêè ãðóñòü ïî îñòàâëåííîé ñåìüå è òðåâîãó çà áóäóùåå. Çíàêîìñòâî ñ
Ðåéòèíã:
Ïðîñìîòðîâ: 7 860
Íàçâàíèå:
The Wish / Æåëàíèå (by Nicholas Sparks, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Outsiders / Èçãîè (by S. E. Hinton, 2004) - àóäèîêíèãà íà àíãëèéñêîì

The Outsiders / Èçãîè (by S. E. Hinton, 2004) - àóäèîêíèãà íà àíãëèéñêîì
Ýòî êëàññè÷åñêîå ïðîèçâåäåíèå áûëî íàïèñàíî â ñåðåäèíå ïðîøëîãî âåêà, íî åãî àêòóàëüíîñòü íå ïîòåðÿëàñü. Ïîíèáîé ó÷èòñÿ â øêîëå íà þãî-çàïàäå ñòðàíû, ãäå ÿðêî âèäíà äèôôåðåíöèàöèÿ øêîëüíîãî îáùåñòâà. Ó íåãî åñòü äðóçüÿ ïðèìåðíî îäèíàêîâîãî ñîöèàëüíîãî ïîëîæåíèÿ, è ïàðíè ïûòàþòñÿ âûæèòü è íå ñëîìàòüñÿ ñðåäè èçáàëîâàííûõ ìàæîðîâ, êîòîðûå òî è äåëî ïðèäóìûâàþò íîâûå ðàçâëå÷åíèÿ ïî ðåãóëÿðíûì óíèæåíèÿì.  ñòàðøåé øêîëå ñòàíîâèòñÿ òðóäíî íå èñïûòûâàòü äóøåâíûé è ìîðàëüíûé
Ðåéòèíã:
Ïðîñìîòðîâ: 4 671
Íàçâàíèå:
The Outsiders / Èçãîè (by S. E. Hinton, 2004) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Song of Achilles / Ïåñíü îá Àõèëëå (by Madeline Miller, 2012) - àóäèîêíèãà íà àíãëèéñêîì

The Song of Achilles / Ïåñíü îá Àõèëëå (by Madeline Miller, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Òðîÿíñêàÿ âîéíà ãëàçàìè ñîâðåìåííîãî ïèñàòåëÿ áóäîðàæèò âîîáðàæåíèå è êðîâü.  ýòîé êíèãå ðàñêðûâàþòñÿ âñå ñëàâíûå ýïè÷åñêèå ìîìåíòû, êîòîðûå åùå áîëüøå íàñûùåíû âñåìè îòòåíêàìè ëþáâè, ñòðàñòè, äðóæáû è âîéíû. Îãðîìíóþ ðîëü èãðàåò ïðîòèâîñòîÿíèå ìåæäó ëþäüìè, áîãàìè è êîðîëÿìè. Àõèëëåñ, ïðåêðàñíûé ïðèíö è ÷óäåñíûé ïàðåíü, ïîäðóæèëñÿ ñ Ïàòðîêëîì. Äðóçüÿ ÿâëÿþòñÿ ïîëíîé ïðîòèâîïîëîæíîñòüþ äðóã äðóãà, òî÷íî òàê æå ê íèì îòíîñÿòñÿ è îêðóæàþùèå. Ìàòü-áîãèíÿ Àõèëëåñà êàòåãîðè÷åñêè
Ðåéòèíã:
Ïðîñìîòðîâ: 4 028
Íàçâàíèå:
The Song of Achilles / Ïåñíü îá Àõèëëå (by Madeline Miller, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Shuggie Bain / Øàããè Áåéí (by Douglas Stuart, 2020) - àóäèîêíèãà íà àíãëèéñêîì

Shuggie Bain / Øàããè Áåéí (by Douglas Stuart, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Èñòîðèÿ î òîíêîé çàâèñèìîñòè â ñåìüå ïðîñòûõ ðàáî÷èõ èç Ãëàçãî, êîòîðàÿ îêàçàëàñü íà ãðàíè âûæèâàíèÿ. Ìàòü 6-ëåòíåãî Øàããè Áåéíà ïðèñòðàñòèëàñü ê âûïèâêå, ÷òîáû óéòè îò ðåàëüíîñòè è íå îòÿæåëÿòü ñåáÿ ïðîáëåìàìè îáåñïå÷åíèÿ ñåìüè. Ñòàðøèå äåòè ïðèäóìàëè ñïîñîáû óõîäà îò õìóðîãî è ñåðîãî ñåìåéíîãî ìèðîâîñïðèÿòèÿ, à Øàããè îäèí ñî âñåõ ïûòàåòñÿ ïðîÿâëÿòü çàáîòó î ìàìå. Æåíùèíà îòâå÷àåò ñûíó âçàèìíîñòüþ, íî çàâèñèìîñòü îò àëêîãîëÿ è âûäóìàííîé ðåàëüíîñòè íàñòîëüêî ñèëüíà, ÷òî
Ðåéòèíã:
Ïðîñìîòðîâ: 3 889
Íàçâàíèå:
Shuggie Bain / Øàããè Áåéí (by Douglas Stuart, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Couple Next Door / Ñóïðóãè ïî ñîñåäñòâó (by Shari Lapena, 2016) - àóäèîêíèãà íà àíãëèéñêîì

The Couple Next Door / Ñóïðóãè ïî ñîñåäñòâó (by Shari Lapena, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Àííà è Ìàðêî Êîíòè – èäåàëüíûå ñóïðóãè, êîòîðûå âîñïèòûâàþò äî÷ü Êîðó. Âñå ó íèõ õîðîøî, â ñåìüå ïðèñóòñòâóåò ëþáîâü è âçàèìîïîíèìàíèå. Ïðè ýòîì ïàðà íå âåäåò çàìêíóòóþ æèçíü, íàîáîðîò, âûõîäèò â ãîñòè ê äðóçüÿì, ïîñåùàåò ðàçëè÷íûå ìåðîïðèÿòèÿ. Êàê-òî îäèí ðàç, ïîêà Àííà è Ìàðêî áûëè íà çâàíîì óæèíå, â èõ äîìå ïðîèçîøëà ñòðàøíàÿ òðàãåäèÿ. Ìíîãèå æèòåëè ðàéîíà ïðèøëè â óæàñ, óçíàâ î ñëó÷èâøåìñÿ, à ïîëèöèÿ ïðèñòóïèëà ê ðàññëåäîâàíèþ, ÷òîáû êàê ìîæíî ñêîðåå íàéòè âèíîâíûõ.
Ðåéòèíã:
Ïðîñìîòðîâ: 4 295
Íàçâàíèå:
The Couple Next Door / Ñóïðóãè ïî ñîñåäñòâó (by Shari Lapena, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson / Âåëè÷àéøèé óðîê æèçíè, èëè Âòîðíèêè ñ Ìîððè (by Mitch Albom, 2007) - àóäèîêíèãà íà àíãëèéñêîì

Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson / Âåëè÷àéøèé óðîê æèçíè, èëè Âòîðíèêè ñ Ìîððè (by Mitch Albom, 2007) - àóäèîêíèãà íà àíãëèéñêîì
Âåëèêèå óðîêè æèçíè ìû ïîëó÷àåì åùå â ìîëîäîì âîçðàñòå, íî ïîòîì ëèáî çàáûâàåì èõ, ëèáî ïûòàåìñÿ èãíîðèðîâàòü, âñå äåëàÿ ïî-ñâîåìó. Òàê ïðîèçîøëî â æèçíè Ìèò÷à Àëáîìà, àâòîðà êíèãè. Äâàäöàòü ëåò ñïóñòÿ ïîñëå îêîí÷àíèÿ êîëëåäæà îí ïîíÿë, ÷òî Ìîððè Øâàðö, óâàæàåìûé âî âðåìÿ ó÷åáû ïðîôåññîð, áûë òåì ñàìûì åäèíñòâåííûì ìóäðûì ÷åëîâåêîì, ê ñîâåòàì êîòîðîãî ñòîèëî ïðèñëóøèâàòüñÿ. Ìèò÷ ðåøèë îòûñêàòü íàñòàâíèêà, ÷òîáû çàäàòü åìó íàêîïèâøèåñÿ æèçíåííûå âîïðîñû, íàéòè ïîääåðæêó â åãî
Ðåéòèíã:
Ïðîñìîòðîâ: 5 637
Íàçâàíèå:
Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson / Âåëè÷àéøèé óðîê æèçíè, èëè Âòîðíèêè ñ Ìîððè (by Mitch Albom, 2007) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The 5 AM Club: Own Your Morning. Elevate Your Life / Êëóá «5 ÷àñîâ óòðà» (by Robin Sharma, 2018) - àóäèîêíèãà íà àíãëèéñêîì

The 5 AM Club: Own Your Morning. Elevate Your Life / Êëóá «5 ÷àñîâ óòðà» (by Robin Sharma, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Ñóùåñòâóåò ìíîãî ïðèìåðîâ òîãî, ÷òî ïðèâû÷êà ðàíî âñòàâàòü ïðåâðàùàåò ÷åëîâåêà â ëèäåðà â ñâîåé ñôåðå. Òàêæå îíà ïîçâîëÿåò äåëàòü ðàáîòó ïðîäóêòèâíî, ðàñêðûâàÿ ãëóáîêèé ïîòåíöèàë è òðåáóÿ äëÿ ýòîãî íå òàêîå çíà÷èòåëüíîå êîëè÷åñòâî óñèëèé, êàê îò ëþäåé, ïðåäïî÷èòàþùèõ ñïàòü ïîäîëüøå. Ðîáèí Øàðìà ðåøèë íàïèñàòü öåëóþ èíñòðóêöèþ äëÿ óòðåííåãî ïðîðûâà. Åùå áîëåå 20 ëåò íàçàä îí ñîçäàë êëóá «5 óòðà», à ñåãîäíÿ ÷èòàòåëè âñåãî ìèðà èìåþò âîçìîæíîñòü ïîçíàêîìèòüñÿ ñ êîíöåïöèåé
Ðåéòèíã:
Ïðîñìîòðîâ: 4 957
Íàçâàíèå:
The 5 AM Club: Own Your Morning. Elevate Your Life / Êëóá «5 ÷àñîâ óòðà» (by Robin Sharma, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The 4-Hour Workweek: Escape 9-5, Live Anywhere, and the New Rich / Êàê ðàáîòàòü ïî ÷åòûðå ÷àñà â íåäåëþ (by Timothy Ferriss, 2008) - àóäèîêíèãà íà àíãëèéñêîì

The 4-Hour Workweek: Escape 9-5, Live Anywhere, and the New Rich / Êàê ðàáîòàòü ïî ÷åòûðå ÷àñà â íåäåëþ (by Timothy Ferriss, 2008) - àóäèîêíèãà íà àíãëèéñêîì
ßâëÿåòåñü ëè âû ïåðåãðóæåííûì ðàáîòîé ñîòðóäíèêîì èëè ïðåäïðèíèìàòåëåì, çàñòðÿâøèì â ñîáñòâåííîì äåëå, ýòà êíèãà - êîìïàñ äëÿ íîâîãî ìèðà. Ïðèñîåäèíÿéòåñü ê àâòîðó êíèãè, è îí íàó÷èò âàñ: - êàê ïåðåäàòü ñâîþ æèçíü íà àóòñîðñèíã çàðóáåæíûì âèðòóàëüíûì ïîìîùíèêàì çà 5 äîëëàðîâ â ÷àñ è äåëàòü âñå, ÷òî âû õîòèòå; - êàê õóäîæíèêè ïóòåøåñòâóþò ïî ìèðó, íå áðîñàÿ ñâîþ ðàáîòó; - êàê óñòðàíèòü 50 % âàøåé ðàáîòû çà 48 ÷àñîâ; - êàê îáìåíÿòü äîëãîñðî÷íóþ êàðüåðó íà êîðîòêèå ïåðåðûâû â
Ðåéòèíã:
Ïðîñìîòðîâ: 4 738
Íàçâàíèå:
The 4-Hour Workweek: Escape 9-5, Live Anywhere, and the New Rich / Êàê ðàáîòàòü ïî ÷åòûðå ÷àñà â íåäåëþ (by Timothy Ferriss, 2008) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Quiet: The Power of Introverts in a World That Can't Stop Talking / Òèøèíà: ñèëà èíòðîâåðòîâ â ìèðå, êîòîðûé íå ìîæåò çàìîëêíóòü (by Susan Cain, 2012) - àóäèîêíèãà íà àíãëèéñêîì

Quiet: The Power of Introverts in a World That Can't Stop Talking / Òèøèíà: ñèëà èíòðîâåðòîâ â ìèðå, êîòîðûé íå ìîæåò çàìîëêíóòü (by Susan Cain, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Êíèãà, êîòîðàÿ ïîëîæèëà íà÷àëî Òèõîé ðåâîëþöèè. Öåëàÿ òðåòü ëþäåé, êîòîðûå íàñ îêðóæàþò, ÿâëÿþòñÿ èíòðîâåðòàìè. Ýòî òå, êòî îòäàåò ïðåäïî÷òåíèå ñëóøàòü, à íå ãîâîðèòü; êòî âíåäðÿåò ïîñëåäíèå èííîâàöèè è ñîçäàåò íîâîå, íî íå ëþáèò àôèøèðîâàòü ýòî; êòî ïðåäïî÷èòàåò ðàáîòàòü â îäèíî÷êó, à íå ðàáîòàòü â êîìàíäå. Ðîçå Ïàðêñ, Øîïåíó, äîêòîðó Ñüþçó, Ñòèâó Âîçíÿêó — ìû îáÿçàíû ìíîãèìè èç âåëèêèõ âêëàäîâ â îáùåñòâî, à îíè èíòðîâåðòû.  "Òèøèíå" Ñüþçàí Êåéí äîêàæåò ôàêòàìè, ÷òî ìû
Ðåéòèíã:
Ïðîñìîòðîâ: 2 309
Íàçâàíèå:
Quiet: The Power of Introverts in a World That Can't Stop Talking / Òèøèíà: ñèëà èíòðîâåðòîâ â ìèðå, êîòîðûé íå ìîæåò çàìîëêíóòü (by Susan Cain, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Daily Stoic / Ñòîèöèçì íà êàæäûé äåíü (by Ryan Holiday, Stephen Hanselman, 2016) - àóäèîêíèãà íà àíãëèéñêîì

The Daily Stoic / Ñòîèöèçì íà êàæäûé äåíü (by Ryan Holiday, Stephen Hanselman, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Êðàñèâî óïàêîâàííàÿ, îäàðåííàÿ åæåäíåâíûì ïîñâÿùåíèåì ñòîè÷åñêîé ìóäðîñòè, îò àâòîðà áåñòñåëëåðà "Ïðåïÿòñòâèå - ýòî ïóòü". Ñîâðåìåííûå ÷èòàòåëè âîñõâàëÿþò ôèëîñîôèþ ñòîèêîâ çà åå óíèêàëüíîå ñî÷åòàíèå ïðàêòè÷íîñòè è ìóäðîñòè. Íî, ïî îáùåìó ïðèçíàíèþ, ñðåäíåìó ÷èòàòåëþ òðóäíî ðàñøèôðîâàòü èçäàíèå ðàáîòû Ìàðêà Àâðåëèÿ. Óñòàðåâøèé, èçëèøíå ôîðìàëüíûé ÿçûê áîëüøèíñòâà ñîâðåìåííûõ ïåðåâîäîâ ðàçîáðàí â ýòîé êíèãå, ðàñêðûâàÿ ìîùíûå àôîðèçìû, êîòîðûå ïðîíèêàþò ïðÿìî â ñóòü íàøèõ
Ðåéòèíã:
Ïðîñìîòðîâ: 2 134
Íàçâàíèå:
The Daily Stoic / Ñòîèöèçì íà êàæäûé äåíü (by Ryan Holiday, Stephen Hanselman, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Boundaries, Updated and Expanded Edition: When to Say Yes, How to Say No to Take Control of Your Life (by John Townsend, Henry Cloud, 2018) - àóäèîêíèãà íà àíãëèéñêîì

Boundaries, Updated and Expanded Edition: When to Say Yes, How to Say No to Take Control of Your Life (by John Townsend, Henry Cloud, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Ãðàíèöû - ýòî êíèãà, êîòîðàÿ ïîìîãëà áîëåå ÷åì ÷åòûðåì ìèëëèîíàì ëþäåé íàó÷èòüñÿ ãîâîðèòü "äà" è çíàòü, êàê ñêàçàòü "íåò", ÷òîáû âçÿòü ïîä êîíòðîëü ñâîþ æèçíü. Êàæåòñÿ ëè âàì, ÷òî âàøà æèçíü âûøëà èç-ïîä êîíòðîëÿ? Âîçìîæíî, âû ÷óâñòâóåòå, ÷òî äîëæíû îòâå÷àòü ñîãëàñèåì íà âñå ïðîñüáû. Ìîæåò áûòü, âû îáíàðóæèòå, ÷òî ñ ãîòîâíîñòüþ áåðåòå íà ñåáÿ îòâåòñòâåííîñòü çà ÷óâñòâà è ïðîáëåìû äðóãèõ ëþäåé. Èëè, âîçìîæíî, âû òàê ñîñðåäîòî÷åíû íà òîì, ÷òîáû áûòü ëþáÿùèì è áåñêîðûñòíûì, ÷òî
Ðåéòèíã:
Ïðîñìîòðîâ: 1 865
Íàçâàíèå:
Boundaries, Updated and Expanded Edition: When to Say Yes, How to Say No to Take Control of Your Life (by John Townsend, Henry Cloud, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Verity / Òàéíûé äíåâíèê Âåðèòè (by Colleen Hoover, 2019) - àóäèîêíèãà íà àíãëèéñêîì

Verity / Òàéíûé äíåâíèê Âåðèòè (by Colleen Hoover, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Ñåìåéñòâî Êðàóôîðä ïåðåæèâàåò íå ëó÷øèå âðåìåíà. Îáà ðàçáèòû ãîðåì ïîñëå óòðàòû äî÷åðè. Äà åùå è òðàâìà Âåðèòè ìåøàåò â ïðîäîëæåíèè óñïåøíîé êàðüåðû ïèñàòåëüíèöû.  ýòî æå âðåìÿ Ëîóýí Ýøëè, íà÷èíàþùàÿ ïèñàòåëüíèöà, êîòîðîé ñóäüáà óæå äàâíî íå óëûáàåòñÿ, íàõîäèòñÿ íà ãðàíè áàíêðîòñòâà. Âñòðå÷à ñ Äæåðåìè Êðàóôîðä êàê ëó÷èê ñâåòà äàåò íàäåæäó íà ðàáîòó. Äåëî â òîì, ÷òî ó Âåðèòè çàâàëÿëîñü ìíîãî íàáðîñêîâ, à òàê êàê ïèñàòåëüíèöà íå â ñèëàõ ïðîäîëæàòü áûëî ðåøåíî íàéòè ïîìîùíèöó.
Ðåéòèíã:
Ïðîñìîòðîâ: 2 377
Íàçâàíèå:
Verity / Òàéíûé äíåâíèê Âåðèòè (by Colleen Hoover, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

It Ends with Us / Âñå çàêîí÷èòñÿ íà íàñ (by Colleen Hoover, 2016) - àóäèîêíèãà íà àíãëèéñêîì

It Ends with Us / Âñå çàêîí÷èòñÿ íà íàñ (by Colleen Hoover, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Ïîñëå íàïèñàíèÿ äàííîé êíèãè àâòîð ïðèçíàëñÿ, ÷òî íèêîãäà â æèçíè íå ÷èòàëà ëþáîâíûõ ðîìàíîâ. Òåì íå ìåíåå êíèãà ïîëó÷èëàñü ñî÷íîé, ëåãêîé, èíòåðåñíîé, â ìåðó ïðèñòîéíîé è äîñòàòî÷íî ïîïóëÿðíîé, ÷òî ïîìîãëî ñòàòü Êîëèí Ãóâåð àâòîðîì áåñòñåëëåðîâ. Ëèëè è Àòëàñ Êîððèãàí èñïûòûâàþò âûñîêèå ÷óâñòâà äðóã ê äðóãó. Íåñìîòðÿ íà ýòî äåâóøêà ñòàâèò êàðüåðó è ðåàëèçàöèþ ñåáÿ êàê ëè÷íîñòè âûøå ëþáîâíîãî âëå÷åíèÿ. Ïîýòîìó ïîêèíóâ âîçëþáëåííîãî, äåâóøêà îòïðàâëÿåòñÿ â îãðîìíûé ãîðîä,
Ðåéòèíã:
Ïðîñìîòðîâ: 3 257
Íàçâàíèå:
It Ends with Us / Âñå çàêîí÷èòñÿ íà íàñ (by Colleen Hoover, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Lincoln Highway / Øîññå Ëèíêîëüíà (by Amor Towles, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Lincoln Highway / Øîññå Ëèíêîëüíà (by Amor Towles, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Äåéñòâèå ðîìàíà ðàçâîðà÷èâàåòñÿ â Àìåðèêå 1950-õ ãîäîâ.  íà÷àëå èþíÿ 1954 ãîäà 18-ëåòíåãî Ýììåòà Óîòñîíà íà÷àëüíèê êîëîíèè äëÿ íåñîâåðøåííîëåòíèõ ïðèâîçèò äîìîé â Íåáðàñêó, ãäå îí òîëüêî ÷òî îòñèäåë 15 ìåñÿöåâ òþðüìû çà íåïðåäóìûøëåííîå óáèéñòâî. Åãî ðîäíàÿ ìàòü ïî÷èëà ñ ìèðîì äàâíûì-äàâíî, îòåö îòíîñèòåëüíî íåäàâíî óìåð, à íà ñåìåéíóþ ôåðìó ìåñòíûé áàíê íàëîæèë àðåñò ïî ðåøåíèþ ñóäà. Þíûé Ýììåò íàìåðåí çàáðàòü ìåíüøåãî áðàòà Áèëëè è åõàòü â Êàëèôîðíèþ, ãäå îíè íàìåðåíû
Ðåéòèíã:
Ïðîñìîòðîâ: 2 693
Íàçâàíèå:
The Lincoln Highway / Øîññå Ëèíêîëüíà (by Amor Towles, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

I Alone Can Fix It: Donald J. Trump's Catastrophic Final Year / ß îäèí ìîãó ýòî èñïðàâèòü: êàòàñòðîôè÷åñêèé ïîñëåäíèé ãîä Äîíàëüäà Òðàìïà (by Carol Leonnig, Philip Rucker, 2021) - àóäèîêíèãà íà àíãëèéñêîì

I Alone Can Fix It: Donald J. Trump's Catastrophic Final Year / ß îäèí ìîãó ýòî èñïðàâèòü: êàòàñòðîôè÷åñêèé ïîñëåäíèé ãîä Äîíàëüäà Òðàìïà (by Carol Leonnig, Philip Rucker, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Àâòîðàìè íàó÷íî-ïîïóëÿðíîãî áåñòñåëëåðà ÿâëÿþòñÿ æóðíàëèñòû øèðîêî-èçâåñòíîé ãàçåòû "Washington Post", Êýðîë Ëåîííèã è Ôèëèïï Ðóêåð. Íàçâàíèåì äëÿ êíèãè ïîñëóæèëà ïðÿìàÿ öèòàòà â äóõå èðîíèè, ñëåòåâøàÿ ñ óñò Äîíàëüäà Òðàìïà, êîãäà îí ïîñëåäíèé ãîä çàíèìàë ïðåçèäåíòñêîå êðåñëî ÑØÀ.  îñíîâó èçäàíèÿ ëåãëè ìíîæåñòâåííûå îïðîñû ëþäåé èç ðàçíîé ñîöèàëüíîé ïðîñëîéêè, à òàêæå äâà ðàçâåðíóòûõ èíòåðâüþ ñàìîãî Òðàìïà. Ðóêîïèñü áåðåò íà÷àëî åùå â 2019 ãîäó, êîãäà ãàðàíòó êîíñòèòóöèè
Ðåéòèíã:
Ïðîñìîòðîâ: 1 819
Íàçâàíèå:
I Alone Can Fix It: Donald J. Trump's Catastrophic Final Year / ß îäèí ìîãó ýòî èñïðàâèòü: êàòàñòðîôè÷åñêèé ïîñëåäíèé ãîä Äîíàëüäà Òðàìïà (by Carol Leonnig, Philip Rucker, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Mrs. Rochester’s Ghost / Ïðèçðàê ìèññèñ Ðî÷åñòåð (by Lindsay Marcott, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Mrs. Rochester’s Ghost / Ïðèçðàê ìèññèñ Ðî÷åñòåð (by Lindsay Marcott, 2021) - àóäèîêíèãà íà àíãëèéñêîì
 ñîâðåìåííîì è çàïóòàííîì ïåðåñêàçå ðîìàíà, ìîëîäàÿ æåíùèíà äîëæíà ïîäâåðãíóòü ñêåïòèöèçìó âñå, ÷òî, ïî åå ìíåíèþ, îíà çíàåò î ëþáâè, âåðíîñòè è óáèéñòâå. Ãåðîèíÿ ïîòåðÿëà âñå: ðàáîòó, ìàòü, îòíîøåíèÿ, äàæå êðûøó íàä ãîëîâîé. Äðóã çâîíèò, ÷òîáû ïðåäëîæèòü íåîáû÷íóþ ñäåëêó — êîòòåäæ íàä ãðîõî÷óùèì ïðèáîåì Áèã-Ñóðà â ïîìåñòüå åãî ðàáîòîäàòåëÿ Ýâàíà Ðî÷åñòåðà. Âçàìåí äåâóøêà áóäåò çàíèìàòüñÿ ñ åãî ðåáåíêîì. Îíà ñîãëàøàåòñÿ. Õîòÿ õîçÿèíà äîìà îáâèíÿþò â óáèéñòâå åãî æå
Ðåéòèíã:
Ïðîñìîòðîâ: 1 568
Íàçâàíèå:
Mrs. Rochester’s Ghost / Ïðèçðàê ìèññèñ Ðî÷åñòåð (by Lindsay Marcott, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Crucial Conversations: Tools for Talking When Stakes Are High / Òðóäíûå äèàëîãè. ×òî è êàê ãîâîðèòü, êîãäà ñòàâêè âûñîêè (by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Crucial Conversations: Tools for Talking When Stakes Are High / Òðóäíûå äèàëîãè. ×òî è êàê ãîâîðèòü, êîãäà ñòàâêè âûñîêè (by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Áåñòñåëëåð ïî âåðñèè Íüþ-Éîðê Òàéìñ, èçìåíèâøèé ñïîñîá îáùåíèÿ ìèëëèîíîâ, ïðèâëåêàåò íàøå âíèìàíèå ê òåì îïðåäåëÿþùèì ìîìåíòàì, êîòîðûå áóêâàëüíî ôîðìèðóþò íàøó æèçíü, íàøè îòíîøåíèÿ è íàø ìèð. "Ýòà êíèãà çàñëóæèâàåò òîãî, ÷òîáû çàíÿòü ñâîå ìåñòî â êà÷åñòâå îäíîãî èç êëþ÷åâûõ âêëàäîâ â ëèäåðñòâî íàøåãî âðåìåíè." - èç Ïðåäèñëîâèÿ Ñòèâåíà Ð. Êîâè, àâòîðà "7 ïðèâû÷åê âûñîêîýôôåêòèâíûõ ëþäåé". "Êà÷åñòâî âàøåé æèçíè çàâèñèò îò êà÷åñòâà âàøèõ äèàëîãîâ è áåñåä. Âîò êàê ìãíîâåííî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 446
Íàçâàíèå:
Crucial Conversations: Tools for Talking When Stakes Are High / Òðóäíûå äèàëîãè. ×òî è êàê ãîâîðèòü, êîãäà ñòàâêè âûñîêè (by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Magic of Found Objects / Ìàãèÿ íàéäåííûõ ïðåäìåòîâ (by Maddie Dawson, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Magic of Found Objects / Ìàãèÿ íàéäåííûõ ïðåäìåòîâ (by Maddie Dawson, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Îò àâòîðà áåñòñåëëåðà "Ñâàòîâñòâî äëÿ íà÷èíàþùèõ" ïðèõîäèò ïðèÿòíàÿ èñòîðèÿ î òîì, êàê ñòàòü òåì, êåì âû äîëæíû áûëè áûòü âñå ýòî âðåìÿ. Ôðîí Ëèííåëë áûëà çà÷àòà â Âóäñòîêå â ðåçóëüòàòå ñ÷àñòëèâîé ñâÿçè ìåæäó ñâîáîäîëþáèâîé õèïïè è ñûíîì ôåðìåðà è ðîäèëàñü ñ âîëøåáíûì ÷óäîì, ìåðöàþùèì â åå ÄÍÊ, è ðàöèîíàëüíîñòüþ, âðîñøåé â åå êîñòè. Âñþ ñâîþ æèçíü îíà ðàçðûâàëàñü ìåæäó òåì è äðóãèì. Íî òåïåðü, êîãäà åå ïðåäàëè è ëþáîâü, è ìàòü, êîòîðóþ îíà êîãäà-òî áîãîòâîðèëà, åå
Ðåéòèíã:
Ïðîñìîòðîâ: 3 261
Íàçâàíèå:
The Magic of Found Objects / Ìàãèÿ íàéäåííûõ ïðåäìåòîâ (by Maddie Dawson, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Hobbit / Õîááèò (by J. R. R. Tolkien, 2020) - àóäèîêíèãà íà àíãëèéñêîì

The Hobbit / Õîááèò (by J. R. R. Tolkien, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Áèëüáî Áýããèíñ - õîááèò, êîòîðûé íàñëàæäàåòñÿ êîìôîðòíîé, íåçàìûñëîâàòîé, íå àìáèöèîçíîé æèçíüþ, ðåäêî ïóòåøåñòâóåò äàëüøå êëàäîâîé ñâîåé õîááè÷üåé íîðû â Áýã-Ýíäå. Íî åãî òèõèå áóäíè íàðóøàþòñÿ, êîãäà âîëøåáíèê Ãýíäàëüô Ñåðûé è êîìïàíèÿ èç 13 ãíîìîâ îäíàæäû ïîÿâëÿþòñÿ íà ïîðîãå, ÷òîáû óâåçòè â ïóòåøåñòâèå "òóäà è îáðàòíî". Êîìïàíèÿ îòïðàâëÿþòñÿ â óâëåêàòåëüíîå è êðàéíå îïàñíîå ïóòåøåñòâèå ñ ëåãåíäàðíûì Òîðèíîì Äóáîùèòîì. Íà èõ ïóòè áóäóò âñòðå÷àòüñÿ Ãîáëèíû è Îðêè, Âàðãè è
Ðåéòèíã:
Ïðîñìîòðîâ: 4 360
Íàçâàíèå:
The Hobbit / Õîááèò (by J. R. R. Tolkien, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Ikigai: The Japanese Secret to a Long and Happy Life / Èêèãàé: ßïîíñêèé ñåêðåò äîëãîé è ñ÷àñòëèâîé æèçíè (by Hector Garcia, sc Miralles, 2017) - àóäèîêíèãà íà àíãëèéñêîì

Ikigai: The Japanese Secret to a Long and Happy Life / Èêèãàé: ßïîíñêèé ñåêðåò äîëãîé è ñ÷àñòëèâîé æèçíè (by Hector Garcia, sc Miralles, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Íàïîëíèòå ñìûñëîì è ðàäîñòüþ âñå âàøè äíè ñ ïîìîùüþ ýòîãî âñåìèðíî ïîïóëÿðíîãî ðóêîâîäñòâà ïî ÿïîíñêîé êîíöåïöèè èêèãàé — ñ÷àñòüå âñåãäà áûòü çàíÿòûì, êàê ïîêàçûâàþò ïîâñåäíåâíûå ïðèâû÷êè ñàìûõ äîëãîæèâóùèõ ëþäåé â ìèðå. "Åñëè õþããå — ýòî èñêóññòâî íè÷åãî íå äåëàòü, èêèãàé — ýòî èñêóññòâî äåëàòü ÷òî-òî ñ ìàêñèìàëüíîé ñîñðåäîòî÷åííîñòüþ è ðàäîñòüþ" - Íüþ-Éîðê Ïîñò. "Òîëüêî îñòàâàÿñü àêòèâíûì, òû çàõî÷åøü ïðîæèòü ñòî ëåò" - ÿïîíñêàÿ ïîñëîâèöà. Ïî ìíåíèþ ÿïîíöåâ, ó êàæäîãî åñòü
Ðåéòèíã:
Ïðîñìîòðîâ: 2 382
Íàçâàíèå:
Ikigai: The Japanese Secret to a Long and Happy Life / Èêèãàé: ßïîíñêèé ñåêðåò äîëãîé è ñ÷àñòëèâîé æèçíè (by Hector Garcia, sc Miralles, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Untethered Soul: The Journey Beyond Yourself / Äóøà îñâîáîæä¸ííàÿ (by Michael A. Singer, 2011) - àóäèîêíèãà íà àíãëèéñêîì

The Untethered Soul: The Journey Beyond Yourself / Äóøà îñâîáîæä¸ííàÿ (by Michael A. Singer, 2011) - àóäèîêíèãà íà àíãëèéñêîì
Ðàíî èëè ïîçäíî êàæäûé èç íàñ çàäàåò ñåáå âîïðîñ — Êòî ÿ? Êîãäà âû íà÷íåòå èññëåäîâàòü ýòîò âîïðîñ, âû ïîéìåòå, íàñêîëüêî îí íåóëîâèì íà ñàìîì äåëå. ßâëÿåòåñü ëè âû ôèçè÷åñêèì òåëîì? Êîëëåêöèÿ âïå÷àòëåíèé è âîñïîìèíàíèé? Ïàðòíåð ïî îòíîøåíèÿì? Êàæäûé ðàç, êîãäà âû õîòèòå ðàññìîòðåòü ýòè àñïåêòû ñåáÿ, âû ïîíèìàåòå, ÷òî â âàñ åñòü íàìíîãî áîëüøå è ãëóáæå, ÷åì ìîæåò îïðåäåëèòü ëþáîé èç íèõ.  "Îòâÿçàííîé äóøå" äóõîâíûé ó÷èòåëü Ìàéêë Ñèíãåð çàíÿò èññëåäîâàíèåì âîïðîñà î òîì, êòî
Ðåéòèíã:
Ïðîñìîòðîâ: 1 993
Íàçâàíèå:
The Untethered Soul: The Journey Beyond Yourself / Äóøà îñâîáîæä¸ííàÿ (by Michael A. Singer, 2011) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Duke and I / Ãåðöîã è ÿ (by Julia Quinn, 2016) - àóäèîêíèãà íà àíãëèéñêîì

The Duke and I / Ãåðöîã è ÿ (by Julia Quinn, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Ñàéìîí Áàññåò, íåîòðàçèìûé è âñåìè ëþáèìûé ãåðöîã Ãàñòèíãñ, ðàçðàáîòàë ñâîé ðàñ÷åòëèâûé ïëàí, êàê óáåðå÷üñÿ îò ãîðîäñêèõ äàì, ïîìåøàííûõ íà áðàêå. Îí ïðèòâîðÿåòñÿ, ÷òî ïîìîëâëåí ñ î÷àðîâàòåëüíîé Äàôíîé Áðèäæåðòîí, à íà ñàìîì äåëå âêóøàåò õîëîñòÿöêóþ æèçíü ñ íåïîìåðíûì àïïåòèòîì.  êîíöå êîíöîâ, ó çàäóì÷èâîãî íåãîäÿÿ íåò íèêàêèõ ðåàëüíûõ ïëàíîâ æåíèòüñÿ, õîòÿ â ïðåëåñòíîé ìèññ Áðèäæåðòîí åñòü ÷òî - òî òàêîå, ÷òî çàñòàâëÿåò ñåðäöå Ñàéìîíà áèòüñÿ íåìíîãî áûñòðåå. Îáà
Ðåéòèíã:
Ïðîñìîòðîâ: 2 337
Íàçâàíèå:
The Duke and I / Ãåðöîã è ÿ (by Julia Quinn, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

A Court of Thorns and Roses / Êîðîëåâñòâî øèïîâ è ðîç (by Sarah J. Maas, 2015) - àóäèîêíèãà íà àíãëèéñêîì

A Court of Thorns and Roses / Êîðîëåâñòâî øèïîâ è ðîç (by Sarah J. Maas, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Ñåêñóàëüíàÿ, íàñûùåííàÿ ñîáûòèÿìè ïåðâàÿ êíèãà â ñåðèè áåñòñåëëåðîâ "Ñóä øèïîâ è ðîç" No 1 "Íüþ-Éîðê òàéìñ" îò Ñàðû Äæ.Ìààñ. Îäíàæäû äåâÿòíàäöàòèëåòíÿÿ îõîòíèöà Ôåéð çàùèùàÿ îëåíÿ, óáèâàåò äèêîãî âîëêà â ëåñó. Ïîñëå ýòîãî ïîÿâëÿåòñÿ óæàñíîå ñóùåñòâî, òðåáóþùåå âîçìåçäèÿ. Âòÿíóòàÿ â êîâàðíóþ âîëøåáíóþ ñòðàíó, î êîòîðîé îíà çíàåò òîëüêî èç ëåãåíä, Ôåéð ïîíèìàåò, ÷òî åå ïîõèòèòåëü íà ñàìîì äåëå íå çâåðü, à îäèí èç ñìåðòîíîñíûõ, áåññìåðòíûõ âîëøåáíèêîâ, êîòîðûå äàâíûì-äàâíî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 568
Íàçâàíèå:
A Court of Thorns and Roses / Êîðîëåâñòâî øèïîâ è ðîç (by Sarah J. Maas, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Pillars of the Earth / Ñòîëïû Çåìëè (by Ken Follett, 2006) - àóäèîêíèãà íà àíãëèéñêîì

The Pillars of the Earth / Ñòîëïû Çåìëè (by Ken Follett, 2006) - àóäèîêíèãà íà àíãëèéñêîì
Èñòîðèÿ ñòðàñòè è èäåàëèçìà, â êîòîðîé îïèñûâàåòñÿ ãðóïïà ìóæ÷èí è æåíùèí â Ñðåäíèå âåêà, ÷üè ñóäüáû ðîêîâûì îáðàçîì ñâÿçàíû ñî ñòðîèòåëüñòâîì ñîáîðà.  "Ñòîëïàõ çåìëè" ðàññêàçûâàåòñÿ èñòîðèÿ Ôèëèïïà, ïðèîðà Êèíãñáðèäæà, íàáîæíîãî è íàõîä÷èâîãî ìîíàõà, êîòîðîãî çàñòàâèëè ïîñòðîèòü âåëè÷àéøèé ãîòè÷åñêèé ñîáîð, èçâåñòíûé ìèðó... î Òîìå, êàìåíùèêå, êîòîðûé ñòàë åãî àðõèòåêòîðîì - ÷åëîâåêîì, ðàçäåëåííûì â ñâîåé äóøå... î ïðåêðàñíîé, íåóëîâèìîé ëåäè Àëèíå, ïðåñëåäóåìîé òàéíûì
Ðåéòèíã:
Ïðîñìîòðîâ: 1 476
Íàçâàíèå:
The Pillars of the Earth / Ñòîëïû Çåìëè (by Ken Follett, 2006) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Shadow Box / Òåíåâîé ÿùèê (by Luanne Rice, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Shadow Box / Òåíåâîé ÿùèê (by Luanne Rice, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Àâòîð áåñòñåëëåðîâ Amazon ïðåäñòàâëÿåò çàõâàòûâàþùèé òðèëëåð î òîì, êàê äàëåêî ãîòîâà çàéòè æåíà, ÷òîáû ðàñêðûòü ïðàâäó, è íà ÷òî êòî-òî ïîéäåò, ÷òîáû îñòàíîâèòü åå. Ïîñëå ïîêóøåíèÿ íà õóäîæíèöó Êëýð Áîäðè ×åéç åå îñòàâèëè óìèðàòü â åå æå äîìå íà ïîáåðåæüå Êîííåêòèêóòà. Ïîñëå ýòîãî ñëó÷àÿ æåíùèíà íå çíàåò, êîìó îíà ìîæåò äîâåðÿòü. Íî åå ìóæ ñ õîðîøèìè ñâÿçÿìè, Ãðèôôèí, áàëëîòèðóåòñÿ íà ïîñò ãóáåðíàòîðà è ÿâëÿåòñÿ åå ãëàâíûì ïîäîçðåâàåìûì. Íåïîñðåäñòâåííî íàêàíóíå íàïàäåíèÿ
Ðåéòèíã:
Ïðîñìîòðîâ: 1 709
Íàçâàíèå:
The Shadow Box / Òåíåâîé ÿùèê (by Luanne Rice, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Seven Husbands of Evelyn Hugo / Ñåìü ìóæåé Ýâåëèí Õüþãî (by Taylor Jenkins Reid, 2017) - àóäèîêíèãà íà àíãëèéñêîì

The Seven Husbands of Evelyn Hugo / Ñåìü ìóæåé Ýâåëèí Õüþãî (by Taylor Jenkins Reid, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Îò Òåéëîðà Äæåíêèíñà Ðèäà, “ãåíèÿ, êîãäà äåëî äîõîäèò äî èñòîðèé î æèçíè è ëþáâè” (Redbook), ïðèõîäèò íåçàáûâàåìûé è çàõâàòûâàþùèé ðîìàí î íåóñòàííîì âîñõîæäåíèè îäíîé êëàññè÷åñêîé êèíîàêòðèñû íà âåðøèíó — î ðèñêàõ, íà êîòîðûå îíà ïîøëà, î ëþáâè, êîòîðóþ îíà ïîòåðÿëà, è î äàâíèõ ñåêðåòàõ, êîòîðûå ïóáëèêà íèêîãäà íå ìîãëà ñåáå ïðåäñòàâèòü. Èêîíà ãîëëèâóäñêîãî êèíî Ýâåëèí Õüþãî íà ñêëîíå ëåò ðåøàåòñÿ ðàññêàçàòü çàõâàòûâàþùóþ ïðàâäó î ñâîåé áóðíîé ìîëîäîé æèçíè. Êîíå÷íî æå
Ðåéòèíã:
Ïðîñìîòðîâ: 6 465
Íàçâàíèå:
The Seven Husbands of Evelyn Hugo / Ñåìü ìóæåé Ýâåëèí Õüþãî (by Taylor Jenkins Reid, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Billy Summers / Áèëëè Ñàììåðñ (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Billy Summers / Áèëëè Ñàììåðñ (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Ñòèâåí Êèíã ïðåäñòàâëÿåò ñâîå íîâîå òâîðåíèå, êîòîðîìó íåïðåìåííî óãîòîâàíî ìåñòî ñðåäè ñàìûõ íàøóìåâøèõ áåñòñåëëåðîâ. Âîîáðàæåíèå àâòîðà íåâîçìîæíî ñäåðæàòü. Íà ýòîò ðàç ðå÷ü ïîéäåò î êèëëåðå, ðàâíûõ êîòîðîìó íåò. Ó Áèëëè åñòü ñâîè ïðèíöèïû, òàêîé ñåáå «êîäåêñ ÷åñòè». Îí óáèâàåò òîëüêî î÷åíü ïëîõèõ ïàðíåé.  äðóãîì ñëó÷àå ãëàâíûé ãåðîé ñêîðåå âñåãî îòêàæåòñÿ îò ðàáîòû. Áåç òùàòåëüíîé ïðîâåðêè ëþäè íå óõîäÿò íà òîò ñâåò îò ðóê Ñàììåðñà. Áèëëè ïðîøåë âîéíó â Èðàêå, êîòîðàÿ
Ðåéòèíã:
Ïðîñìîòðîâ: 2 734
Íàçâàíèå:
Billy Summers / Áèëëè Ñàììåðñ (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Make Your Bed: Little Things That Can Change Your Life...and Maybe the World (by William H. McRaven, 2017) - àóäèîêíèãà íà àíãëèéñêîì

Make Your Bed: Little Things That Can Change Your Life...and Maybe the World (by William H. McRaven, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Îñíîâàííûé íà âäîõíîâëÿþùåé ðå÷è âûïóñêíèêà Navy SEAL, ýòîò áåñòñåëëåð íîìåð îäèí â New York Times, ñîäåðæàùèé âàæíûå óðîêè æèçíè, «äîëæåí áûòü ïðî÷èòàí êàæäûì ëèäåðîì â Àìåðèêå» (Wall Street Journal). Åñëè êîíêðåòíî âû æåëàåòå èçìåíèòü öåëûé ìèð, íà÷íèòå ñ òîãî, ÷òî çàïðàâüòå ñâîþ êðîâàòü ïîñëå ïðîáóæäåíèÿ.  ìàå 2014 ãîäà àäìèðàë Óèëüÿì Õ. Ìàêðåéâåí ñêàçàë ðå÷ü ïåðåä ó÷àùèìèñÿ Òåõàññêîãî óíèâåðñèòåòà â Îñòèíå â äåíü èõ ïîñòóïëåíèÿ. Âäîõíîâëåííûé ëîçóíãîì äàííîãî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 283
Íàçâàíèå:
Make Your Bed: Little Things That Can Change Your Life...and Maybe the World (by William H. McRaven, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Total Money Makeover / Ïîëíîå ôèíàíñîâîå ïðåîáðàæåíèå (by Dave Ramsey, 2003) - àóäèîêíèãà íà àíãëèéñêîì

The Total Money Makeover / Ïîëíîå ôèíàíñîâîå ïðåîáðàæåíèå (by Dave Ramsey, 2003) - àóäèîêíèãà íà àíãëèéñêîì
Ìå÷òàåòå ïðåâðàòèòü ñâîé ìàëåíüêèé áàíêîâñêèé ñ÷åò â îãðîìíûé áàíêîìàò? Åñòü îäèí âåñüìà íàäåæíûé ñïîñîá ñòèìóëÿöèè ñâîè ôèíàíñî⠗ ýòî ïðîãðàììà Total Money Makeover. Ýòî ñàìûé ïðîñòîé è ïîíÿòíûé ïëàí èãðû, êîòîðûé ïîëíîñòüþ èçáàâèò îò âàøèõ ïëîõèõ ôèíàíñîâûõ ïðèâû÷åê è ïðèâåäåò ê æåëàåìîìó ðåçóëüòàòó. È ýòî îñíîâàíî íà ïðàêòèêå, à íå íà ïóñòûõ ôàíòàçèÿõ. Èñòîðèè óñïåõà â ýòîé êíèãå îò ìàýñòðî Äýéâà Ðýìñè ãîâîðÿò ñàìè çà ñåáÿ. Âìåñòî òîãî, ÷òîáû îáåùàòü îáû÷íóþ äîçó áûñòðûõ
Ðåéòèíã:
Ïðîñìîòðîâ: 1 457
Íàçâàíèå:
The Total Money Makeover / Ïîëíîå ôèíàíñîâîå ïðåîáðàæåíèå (by Dave Ramsey, 2003) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Richest Man in Babylon / Ñàìûé áîãàòûé ÷åëîâåê â Âàâèëîíå (by George S. Clason, 2005) - àóäèîêíèãà íà àíãëèéñêîì

The Richest Man in Babylon / Ñàìûé áîãàòûé ÷åëîâåê â Âàâèëîíå (by George S. Clason, 2005) - àóäèîêíèãà íà àíãëèéñêîì
Ñàìûé áîãàòûé ÷åëîâåê â Âàâèëîíå äàåò ôèíàíñîâûå ñîâåòû ÷åðåç ñáîðíèê ïðèò÷, äåéñòâèå êîòîðûõ ïðîèñõîäèò â äðåâíåì Âàâèëîíå. Ïåðâîíà÷àëüíî îïóáëèêîâàííûé â 1926 ãîäó è ðàññêàçàííûé ñ øåêñïèðîâñêîé èíòåíñèâíîñòüþ òàëàíòëèâûì Ðè÷àðäîì Ôåððîíå, ýòî âïå÷àòëÿþùàÿ àóäèîçàïèñü î ëè÷íûõ ôèíàíñàõ, êîòîðàÿ çâó÷èò òàê, êàê áóäòî îíà îáðàùàåòñÿ ê íàì ñî âðåìåí Èèñóñà. Óâëåêàòåëüíûå áàñíè ìÿãêî ïîáóæäàþò ñëóøàòåëåé èñïîëüçîâàòü ñâîè òàëàíòû, ÷òîáû êîïèòü äåíüãè, âêëàäûâàòü äåñÿòóþ ÷àñòü
Ðåéòèíã:
Ïðîñìîòðîâ: 2 804
Íàçâàíèå:
The Richest Man in Babylon / Ñàìûé áîãàòûé ÷åëîâåê â Âàâèëîíå (by George S. Clason, 2005) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Normal People / Íîðìàëüíûå ëþäè (by Sally Rooney, 2019) - àóäèîêíèãà íà àíãëèéñêîì

Normal People / Íîðìàëüíûå ëþäè (by Sally Rooney, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Ïîòðÿñàþùèé ðîìàí î ïðåîáðàçóþùåé ñèëå îòíîøåíèé. Îäèí èç 10 ëó÷øèõ ðîìàíîâ äåñÿòèëåòèÿ ïî âåðñèè Entertainment Weekly. «Íîðìàëüíûå ëþäè» âîøëè â äåñÿòêó ëó÷øèõ êíèã ãîäà. ×èòàÿ äèàëîãè ìîæíî çàáûòü îáî âñåì íà ñâåòå. Îíè ìàãíèòîì ïðèêîâûâàþò ÷èòàòåëÿ è äåðæàò äî ïîñëåäíåé ñòðàíèöû. Êîííåëë è Ìàðèàííà ðîäèëèñü â îäíîì ãîðîäå. Ïàðåíü áûë êðàéíå ïîïóëÿðåí, çâåçäà ìåñòíîé ôóòáîëüíîé êîìàíäû, à âîò äåâóøêó íèêòî íå çàìå÷àë, îíà äåðæàëàñü îäèíî÷êîé. Ñëó÷àéíàÿ âñòðå÷à ñâîäèò
Ðåéòèíã:
Ïðîñìîòðîâ: 3 104
Íàçâàíèå:
Normal People / Íîðìàëüíûå ëþäè (by Sally Rooney, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

48 Laws of Power / 48 çàêîíîâ âëàñòè (by Robert Greene, 2015) - àóäèîêíèãà íà àíãëèéñêîì

48 Laws of Power / 48 çàêîíîâ âëàñòè (by Robert Greene, 2015) - àóäèîêíèãà íà àíãëèéñêîì
 êíèãå, êîòîðóþ óâàæàåìûé æóðíàë People ïðîâîçãëàñèë «ñîáëàçíèòåëüíîé» è «óâëåêàòåëüíîé», Ðîáåðò Ãðèí è Éîñò Ýëôôåðñ îáúåäèíèëè òðåõòûñÿ÷åëåòíþþ èñòîðèþ âëàñòè â 48 îñíîâíûõ çàêîíîâ, îïèðàÿñü íà çíàìåíèòóþ ôèëîñîôèþ Ìàêèàâåëëè, Ñóíü Öçû, Êàðëà ôîí Êëàóçåâèöà è òàêæå èç æèçíåé ëþäåé îò Ãåíðè Êèññèíäæåðà äî PT Áàðíóì. Íåêîòîðûå çàêîíû â êíèãå ó÷àò íåîáõîäèìîñòè áûòü îñòîðîæíûìè («Çàêîí 1: Íèêîãäà íå çàòìåâàéòå ãîñïîäèíà»), äðóãèå æå ó÷àò ÷èòàòåëÿ èñòèííîé öåííîñòè óâåðåííîñòè
Ðåéòèíã:
Ïðîñìîòðîâ: 2 234
Íàçâàíèå:
48 Laws of Power / 48 çàêîíîâ âëàñòè (by Robert Greene, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Chronicles of Narnia / Õðîíèêè Íàðíèè (by C. S. Lewis, 2019) - àóäèîêíèãà íà àíãëèéñêîì

The Chronicles of Narnia / Õðîíèêè Íàðíèè (by C. S. Lewis, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Âîéíà çàõâàòèëà ïðàêòè÷åñêè âñþ Åâðîïó. Ëîíäîí ïîäâåðæåí ÷àñòûì àâèà àòàêàì. Ðîäèòåëè íå â ñèëàõ ñïîêîéíî ñìîòðåòü íà âñå ýòî. Äàáû îòâåñòè áåäó îò äåòåé áûëî ïðèíÿòî ðåøåíèÿ îòïðàâèòü èõ ïîäàëüøå îò áîëüøîãî ãîðîäà. Ñíà÷àëà ãîñòåâàòü ó òåòè â äåðåâíå êàæåòñÿ ñîâñåì íåâåñåëîé çàòååé, íî ñïóñòÿ íåêîòîðîå âðåìÿ äåòèøêàì íà÷èíàåò íðàâèòüñÿ òàêîé äîñóã.  îäíîé èç êîìíàò ñòîèò øêàô, êîòîðûé ÿâëÿåòñÿ ïîðòàëîì â ñêàçî÷íûé ìèð. Ðåáÿòà îòêðîþò äâåðè ïëàòÿíîãî øêàôà è ïåðåíåñóòñÿ â
Ðåéòèíã:
Ïðîñìîòðîâ: 2 918
Íàçâàíèå:
The Chronicles of Narnia / Õðîíèêè Íàðíèè (by C. S. Lewis, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Four: A Divergent Collection / ×åòûðå. Èñòîðèÿ äèâåðãåíòà (by Veronica Roth, 2014) - àóäèîêíèãà íà àíãëèéñêîì

Four: A Divergent Collection / ×åòûðå. Èñòîðèÿ äèâåðãåíòà (by Veronica Roth, 2014) - àóäèîêíèãà íà àíãëèéñêîì
Ïåðâûå òðè èñòîðèè, «Ïåðåäà÷à», «Ïîñâÿùåííûé» è «Ñûí», ïðîèñõîäÿò åùå äî òîãî, êàê Òîáèàñà Èòîí âñòðå÷àåò Òðèñ, ñëåäóÿ ñâîèì ïóòåì îò Îòðå÷åíèÿ ê Áåññòðàøíîìó, çàðàáàòûâàÿ íà æèçíü ñîáñòâåííûìè ñèëàìè.  ïîñëåäíåé, «Ïðåäàòåëü», êîòîðàÿ õðîíîëîãè÷åñêè ñîâïàäàåò ñ ñåðåäèíîé «Äèâåðãåíòà», îí âñòðå÷àåò Òðèñ. Àâòîð î÷åíü õîòåë âêëþ÷èòü ìîìåíò, êîãäà îíè âñòðå÷àþòñÿ, íî, ê ñîæàëåíèþ, îí íå óêëàäûâàëñÿ â õðîíîëîãèþ èñòîðèè — âìåñòî ýòîãî âû ìîæåòå íàéòè åãî â êîíöå äàííîé êíèãè.
Ðåéòèíã:
Ïðîñìîòðîâ: 1 607
Íàçâàíèå:
Four: A Divergent Collection / ×åòûðå. Èñòîðèÿ äèâåðãåíòà (by Veronica Roth, 2014) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Allegiant / Ýëëèãåíò (by Veronica Roth, 2013) - àóäèîêíèãà íà àíãëèéñêîì

Allegiant / Ýëëèãåíò (by Veronica Roth, 2013) - àóäèîêíèãà íà àíãëèéñêîì
Òðèëîãèÿ Âåðîíèêè Ðîò ïîëó÷èëà ìàññó ïîëîæèòåëüíûõ ðåöåíçèé èìåíèòûõ êðèòèêîâ, áûëè ñíÿòû çàìå÷àòåëüíåéøèå ôèëüìû. Êíèãà «Ýëëèãåíò» ÿâëÿåòñÿ ôèíàëüíîé.  íåé êîíå÷íî æå âñå áóäåò ðàññòàâëåíî ïî ñâîèì ìåñòàì. À âîò áóäåò ëè ôèíàë òàêèì, êàê õîòåëîñü áû íàì, - äðóãîé âîïðîñ.  «Ýëëèãåíòå» ïîâåñòâîâàíèå âåäåòñÿ îò èìåíè äâóõ ãëàâíûõ ãåðîåâ, êîòîðûå òàêèì îáðàçîì ðàñêðûâàþòñÿ åùå ãëóáæå äëÿ ÷èòàòåëÿ. Òðèñ è Òîáèàñ âìåñòå ñî ñâîèìè äðóçüÿìè âûáèðàþòñÿ çà ïðåäåëû ðîäíûõ ñòåí. Îíè
Ðåéòèíã:
Ïðîñìîòðîâ: 1 618
Íàçâàíèå:
Allegiant / Ýëëèãåíò (by Veronica Roth, 2013) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Insurgent / Èíñóðãåíò (by Veronica Roth, 2012) - àóäèîêíèãà íà àíãëèéñêîì

Insurgent / Èíñóðãåíò (by Veronica Roth, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Äîëãîæäàííàÿ âòîðàÿ êíèãà àâòîðà áåñòñåëëåðîâ New York Times Âåðîíèêè Ðîò èç ñåðèè àíòèóòîïèè «Äèâåðãåíò» - ýòî åùå îäíà çàõâàòûâàþùàÿ èñòîðèÿ, áîãàòàÿ õàðàêòåðíûìè ïîâîðîòàìè, äóøåâíûìè ïåðåæèâàíèÿìè, ðîìàíòèêîé è ãëóáîêèì ïîíèìàíèåì ÷åëîâå÷åñêîé ïðèðîäû. Âûáîð, êîòîðûé ìû äåëàåì åæåäíåâíî, ìîæåò èëè ñïàñòè íàñ è ïðèíåñòè áëàãî, èëè óíè÷òîæèòü, â òîé èëè èíîé ñòåïåíè. Íî êàæäûé âûáîð íåñîìíåííî èìååò ïîñëåäñòâèÿ. Äåíü ïîñâÿùåíèÿ Òðèñ äîëæåí áûë îêîí÷èòüñÿ ïðàçäíîâàíèåì è
Ðåéòèíã:
Ïðîñìîòðîâ: 1 648
Íàçâàíèå:
Insurgent / Èíñóðãåíò (by Veronica Roth, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Divergent / Äèâåðãåíò (by Veronica Roth, 2011) - àóäèîêíèãà íà àíãëèéñêîì

Divergent / Äèâåðãåíò (by Veronica Roth, 2011) - àóäèîêíèãà íà àíãëèéñêîì
Äåáþòíûé àâòîð Âåðîíèêà Ðîò ïðîðûâàåòñÿ íà ëèòåðàòóðíóþ ñöåíó ñ ïåðâîé êíèãîé èç ñåðèè «Äèâåðãåíò» - òðèëëåðàìè-àíòèóòîïèÿìè, íàïîëíåííûìè âîëíóþùèìè ðåøåíèÿìè, äóøåðàçäèðàþùèìè ïðåäàòåëüñòâàìè, ïîòðÿñàþùèìè ïîñëåäñòâèÿìè è íåîæèäàííûìè ðîìàíàìè. Îáùåñòâî óæå íå áóäåò ïðåæíèì. Åãî ðàçäåëèëè íà ïÿòü ÷àñòåé. Êàæäàÿ èç êîòîðûõ êóëüòèâèðóåò òîëüêî îäíó äîáðîäåòåëü, òàêóþ êàê Èñêðåííîñòü, Äðóæåëþáèå, Áåññòðàøèå, Îòðå÷åíèå è Ýðóäèöèþ. Åæåãîäíî, âñå äåòè, äîñòèãøèå øåñòíàäöàòè ëåò,
Ðåéòèíã:
Ïðîñìîòðîâ: 2 131
Íàçâàíèå:
Divergent / Äèâåðãåíò (by Veronica Roth, 2011) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Idiot: Life Stories from the Creator of Help Helen Smash / Èäèîò (by Laura Clery, 2019) - àóäèîêíèãà íà àíãëèéñêîì

Idiot: Life Stories from the Creator of Help Helen Smash / Èäèîò (by Laura Clery, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Îò çâåçäû YouTube è Facebook Ëîðû Êëåðè ïðèõîäèò êîëëåêöèÿ êîìåäèéíûõ ýññå â äóõå "Ìû íèêîãäà íå âñòðå÷àåìñÿ â ðåàëüíîé æèçíè". Ëîðà Êëåðè çàðàáàòûâàåò íà æèçíü, äåëÿñü íåóìåñòíûìè êîìåäèéíûìè ñöåíêàìè ñ ìèëëèîíàìè íåçíàêîìûõ ëþäåé â Èíòåðíåòå. Îíà ïèøåò ïåñíè î ñâîåé àíàòîìèè, ðàññêàçûâàåò âñÿêóþ ÷óøü î ñâîåì îäíîãëàçîì ñïàñàòåëüíîì ìîïñå è ñåêñóàëüíî äîìîãàåòñÿ ñâîåãî ìóæà Ñòèâåíà. È ýòî ïîìîãàåò îïëàòèòü âñå åå ñ÷åòà!  ñâîåé ïåðâîé â èñòîðèè êíèãå, Ëîðà ðàññêàçûâàåò, êàê
Ðåéòèíã:
Ïðîñìîòðîâ: 2 403
Íàçâàíèå:
Idiot: Life Stories from the Creator of Help Helen Smash / Èäèîò (by Laura Clery, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Me: Elton John Official Autobiography / ß — Ýëòîí Äæîí. Âå÷åðèíêà äëèíîé â æèçíü (by Elton John, 2019) - àóäèîêíèãà íà àíãëèéñêîì

Me: Elton John Official Autobiography / ß — Ýëòîí Äæîí. Âå÷åðèíêà äëèíîé â æèçíü (by Elton John, 2019) - àóäèîêíèãà íà àíãëèéñêîì
 ñâîåé ïåðâîé è íà ñåãîäíÿ åäèíñòâåííîé îôèöèàëüíîé àâòîáèîãðàôèè èêîíà øîóáèçà Ýëòîí Äæîí ðàñêðûâàåò ïðàâäó î ñâîåé íåîáû÷íîé æèçíè, íà÷èíàÿ ñ âçëåòîâ è ïàäåíèé è çàêàí÷èâàÿ ïðåâðàùåíèåì â æèâóþ ëåãåíäó.  äåòñòâå áûë âåñüìà ñêðîìíûì ìàëü÷èêîì, íîñèë çíàìåíèòûå î÷êè Áàääè Õîëëè. Ðîñ â Ïèííåðå è ìå÷òàë ñòàòü ïîï-çâåçäîé ìèðîâîãî ìàñøòàáà.  âîçðàñòå 23 ëåò îí äàâàë ñâîé ïåðâûé êîíöåðò â Àìåðèêå, ñòîÿ ïåðåä àóäèòîðèåé â ñâîåì ÿðêî-æåëòîì êîìáèíåçîíå è ôóòáîëêå ñî çâåçäàìè.
Ðåéòèíã:
Ïðîñìîòðîâ: 2 604
Íàçâàíèå:
Me: Elton John Official Autobiography / ß — Ýëòîí Äæîí. Âå÷åðèíêà äëèíîé â æèçíü (by Elton John, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Choose Me / Âûáåðè ìåíÿ (by Tess Gerritsen, Gary Braver, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Choose Me / Âûáåðè ìåíÿ (by Tess Gerritsen, Gary Braver, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Çàãàäî÷íîå è âåñüìà çàïóòàííîå óáèéñòâî, ïî ìíåíèþ äåòåêòèâà. Íî èçíà÷àëüíî ïðèõîäèò âåñòü î ñàìîóáèéñòâå. Äåòåêòèâ Ëóìèñ îòïðàâëÿåòñÿ íà ìåñòî ïðîèñøåñòâèÿ. Äà, íà ïåðâûé âçãëÿä îáû÷íîå ñâåäåíèå ñ÷åòîâ ñ æèçíüþ ñ ìíîæåñòâîì âîïðîñîâ. À âñå ïîòîìó, ÷òî æåðòâîé îêàçàëàñü Òàðèí Ìóð, ó êîòîðîé î÷åâèäíî íå áûëî íè îäíîãî ìîòèâà ïîéòè íà ýòîò øàã. Ðîêîâîå ïàäåíèå äåâóøêè ñ áàëêîíà åå êâàðòèðû, Ôðýíêè íóòðîì ÷óåò, ÷òî â ýòîé èñòîðèè åñòü íå÷òî áîëüøåå. Åå äîãàäêè ïîäòâåðæäàþòñÿ,
Ðåéòèíã:
Ïðîñìîòðîâ: 1 967
Íàçâàíèå:
Choose Me / Âûáåðè ìåíÿ (by Tess Gerritsen, Gary Braver, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Down to Earth: Gardening Wisdom / Ñïóñòèâøèñü íà Çåìëþ: Ìóäðîñòü ñàäîâîäñòâà (by Monty Don, 2019) - àóäèîêíèãà íà àíãëèéñêîì

Down to Earth: Gardening Wisdom / Ñïóñòèâøèñü íà Çåìëþ: Ìóäðîñòü ñàäîâîäñòâà (by Monty Don, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Íåïðåâçîéäåííàÿ ìóäðîñòü â ñàäîâîäñòâå îò Ìîíòè Äîíà, âêëþ÷àÿ îñíîâíûå ñîâåòû, çíàíèÿ è ðàçìûøëåíèÿ èç åãî 50-ëåòíåãî îïûòà ðàáîòû â ñàäó. Ýòî àâòîð ïðÿìî ðÿäîì ñ âàìè â ñàäó, áðîñàþùèé âûçîâ íîðìàì è äåëÿùèéñÿ ñîâåòàìè. Îòêðîéòå äëÿ ñåáÿ ìûñëè è èäåè î ïðèðîäå, âðåìåíàõ ãîäà, öâåòå, äèçàéíå, âðåäèòåëÿõ, öâåòóùèõ êóñòàðíèêàõ, êîíòåéíåðàõ è ìíîãîì äðóãîì. Óçíàéòå î åæåìåñÿ÷íûõ ðàáîòàõ, êîòîðûå îí âûïîëíÿåò â ñâîåì ñîáñòâåííîì ñàäó. Ýòè õëîïîòû, êàê îí íàäååòñÿ, èìåþò
Ðåéòèíã:
Ïðîñìîòðîâ: 1 078
Íàçâàíèå:
Down to Earth: Gardening Wisdom / Ñïóñòèâøèñü íà Çåìëþ: Ìóäðîñòü ñàäîâîäñòâà (by Monty Don, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Malibu Rising / Âîññòàíèå Ìàëèáó (by Taylor Jenkins Reid, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Malibu Rising / Âîññòàíèå Ìàëèáó (by Taylor Jenkins Reid, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Íàñëåäíèêè ëåãåíäàðíîãî ïåâöà Ìèêà Ðèâû ãîòîâÿò åæåãîäíóþ, ãðàíäèîçíóþ âå÷åðèíêó, êîòîðàÿ, êàê âñåãäà, ïðîõîäèò â êîíöå ëåòà. Íà äâîðå àâãóñò 1983 ãîäà. Íèíà Ðèâà, ñòàðøàÿ â ñåìåéñòâå, íå ñèëüíî ðàäà ãóëÿíêå. Îíà òàëàíòëèâàÿ ñóïåðìîäåëü è ñåðôèíãèñòêà. È åùå åå ñîâñåì íåäàâíî áðîñèë ìóæ. Ñåìüÿ åùå íå â êóðñå, íî ïî âñåé âèäèìîñòè ñåãîäíÿ âå÷åðîì âñå òàéíîå ñòàíåò ÿâíûì. Íèíà íèêîãäà íå ëþáèëà áûòü â öåíòðå âíèìàíèÿ, à òóò åùå è ýòà èñòîðèÿ. Áðàòüÿ è ñåñòðà ãëàâíîé ãåðîèíè
Ðåéòèíã:
Ïðîñìîòðîâ: 2 332
Íàçâàíèå:
Malibu Rising / Âîññòàíèå Ìàëèáó (by Taylor Jenkins Reid, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Magic of Thinking Big / Èñêóññòâî ìûñëèòü ìàñøòàáíî (by David Schwartz, 2015) - àóäèîêíèãà íà àíãëèéñêîì

The Magic of Thinking Big / Èñêóññòâî ìûñëèòü ìàñøòàáíî (by David Schwartz, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Ñ áîëåå ÷åì øåñòüþ ìèëëèîíàìè ïðîäàííûõ êîïèé ïî âñåìó çåìíîìó øàðó, âíåâðåìåííîå ðóêîâîäñòâî Äýâèäà Øâàðöà, ôåíîìåí áåñòñåëëåðà "Èñêóññòâî ìûñëèòü ìàñøòàáíî" òåïåðü äîñòóïíî â âèäå àóäèî èçäàíèÿ. Îãðîìíîå êîëè÷åñòâî ëþäåé ïî âñåìó ìèðó óëó÷øèëè áóäíè áëàãîäàðÿ íå òåðÿþùèì ñî âðåìåíåì ñâîþ öåííîñòü ñîâåòàì Äýâèäà.  àóäèîêíèãå-áåñòñåëëåðå Øâàðö äîêàçûâàåò íà ïðèìåðàõ, ÷òî âàì íå íóæåí âûñøèé òàëàíò, ÷òîáû ñòàòü óñïåøíûì, íî âàì íåîáõîäèìî ïîíÿòü îñíîâîïîëàãàþùóþ ïðèâû÷êó
Ðåéòèíã:
Ïðîñìîòðîâ: 2 824
Íàçâàíèå:
The Magic of Thinking Big / Èñêóññòâî ìûñëèòü ìàñøòàáíî (by David Schwartz, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Vanishing Half / Èñ÷åçàþùàÿ Ïîëîâèíà (by Brit Bennett, 2020) - àóäèîêíèãà íà àíãëèéñêîì

The Vanishing Half / Èñ÷åçàþùàÿ Ïîëîâèíà (by Brit Bennett, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Ëó÷øàÿ êíèãà ãîäà â 2020 ïî âåðñèè New York Times. Îäíà èç ëþáèìûõ êíèã Áàðàêà Îáàìû. Ðîìàí î ñåñòðàõ-áëèçíåöàõ, íåðàçëó÷íûõ â äåòñòâå, êîòîðûå â êîíå÷íîì ñ÷åòå ðåøàþò æèòü â äâóõ ñîâåðøåííî ðàçíûõ ìèðàõ.  øåñòíàäöàòü ëåò îáå äåâóøêè ñáåæàëè ñ äîìà. È âîò, ìíîãî ëåò ñïóñòÿ, îäíà èç íèõ æèâåò â òîì æå ðàéîíå, ñ êîòîðîãî áåæàëà â þíîñòè, âìåñòå ñî ñâîåé äî÷êîé. À âòîðàÿ, æèâÿ ñ áåëûì ìóæ÷èíîé, ñòàðàåòñÿ ñêðûòü ñâîå òåìíîêîæåå ïðîøëîå. Âñêîðå è ó äðóãîé ñåñòðû ðîæäàåòñÿ
Ðåéòèíã:
Ïðîñìîòðîâ: 2 344
Íàçâàíèå:
The Vanishing Half / Èñ÷åçàþùàÿ Ïîëîâèíà (by Brit Bennett, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Frankenstein, or The Modern Prometheus / Ôðàíêåíøòåéí, èëè Ñîâðåìåííûé Ïðîìåòåé (by Mary Wollstonecraft Shelley, 2008) - àóäèîêíèãà íà àíãëèéñêîì

Frankenstein, or The Modern Prometheus / Ôðàíêåíøòåéí, èëè Ñîâðåìåííûé Ïðîìåòåé (by Mary Wollstonecraft Shelley, 2008) - àóäèîêíèãà íà àíãëèéñêîì
Ðîìàí 1818 ãîäà, íàïèñàííûé èçâåñòíîé ïèñàòåëüíèöåé Ìýðè Øåëëè, íî äàæå â íàøè äíè îí íå óòðàòèë ñâîþ ïîïóëÿðíîñòü. Èñòîðèÿ Âèêòîðà Ôðàíêåíøòåéíà, òàëàíòëèâîãî ìîëîäîãî ó÷åíîãî, êîòîðûé áðîñàåò äåðçêèé âûçîâ Òâîðöó.  ëàáîðàòîðíûõ óñëîâèÿõ îí ñîçäàåò... ÷åëîâåêà! Àâòîð íà÷àëà òâîðèòü ýòó èñòîðèþ, êîãäà åé áûëî âñåãî ëèøü 18 ëåò, è ïåðâàÿ ïóáëèêàöèÿ áûëà àíîíèìíîé. Èìÿ Ìýðè Øåëëè âïåðâûå áûëî íàïå÷àòàíî òîëüêî â ñëåäóþùåì èçäàíèè, êîòîðîå óâèäåëî ñâåò â Ïàðèæå â 1821 ãîäó.
Ðåéòèíã:
Ïðîñìîòðîâ: 2 232
Íàçâàíèå:
Frankenstein, or The Modern Prometheus / Ôðàíêåíøòåéí, èëè Ñîâðåìåííûé Ïðîìåòåé (by Mary Wollstonecraft Shelley, 2008) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Project Hail Mary / Ïðîåêò «Äà çäðàâñòâóåò Ìàðèÿ» (by Andy Weir, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Project Hail Mary / Ïðîåêò «Äà çäðàâñòâóåò Ìàðèÿ» (by Andy Weir, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Íîâûé ôàíòàñòè÷åñêèé ðîìàí îò àâòîðà áåñòñåëëåðà íîìåð îäèí ïî âåðñèè Íüþ-Éîðê Òàéìñ "Ìàðñèàíèí". Îäèíîêèé àñòðîíàâò ïðîñòî îáÿçàí ñïàñòè çåìëþ îò êàòàñòðîôû â ýòîì íåâåðîÿòíîì íîâîì íàó÷íî-îáîñíîâàííîì òðèëëåðå, êîòîðûé ïðîñòî îáðå÷åí íà óñïåõ. Ðàéëàíä Ãðåéñ ïîòåðÿë ïàìÿòü, îí íå ìîæåò âñïîìíèòü êåì ÿâëÿåòñÿ è ÷òî åìó ïðåäñòîèò ñäåëàòü. À âåäü ãëàâíûé ãåðîé Ãðåéñ — åäèíñòâåííûé îñòàâøèéñÿ â æèâûõ â îò÷àÿííîé ìèññèè ïîñëåäíåãî øàíñà, è, åñëè îí ïîòåðïèò êðàõ, ÷åëîâå÷åñòâî è
Ðåéòèíã:
Ïðîñìîòðîâ: 3 437
Íàçâàíèå:
Project Hail Mary / Ïðîåêò «Äà çäðàâñòâóåò Ìàðèÿ» (by Andy Weir, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Ballad of Songbirds and Snakes / Áàëëàäà î çìåÿõ è ïåâ÷èõ ïòèöàõ (by Suzanne Collins, 2020) - àóäèîêíèãà íà àíãëèéñêîì

The Ballad of Songbirds and Snakes / Áàëëàäà î çìåÿõ è ïåâ÷èõ ïòèöàõ (by Suzanne Collins, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Ïðèêâåë òðèëîãèè, êîòîðûé îæèäàëè àáñîëþòíî âñå ôàíàòû ðîìàíà. Îñíîâíîå äåéñòâèå â êíèãå ïðîèñõîäÿò çà øåñòüäåñÿò ÷åòûðå ãîäà äî çíàìåíàòåëüíûõ ñîáûòèé «Ãîëîäíûõ èãð». 10-å åæåãîäíûå Èãðû ñòàðòóþò â óòðî Æàòâû. Êîðèîëàí Ñíîó óñåðäíî ãîòîâèòñÿ ê ñâîåìó åäèíñòâåííîìó øàíñó íà ñëàâó â êà÷åñòâå íàñòàâíèêà. Äëÿ ïîäðîñòêà ñîáûòèå î÷åíü âàæíîå, òàê êàê åãî ñåìÿ îêàçàëàñü â íåëåãêîì ïîëîæåíèè. Íî âñå èäåò ïðîòèâ Ñíîó. Åìó äàëè çàâåäîìî ïðîèãðûøíîå çàäàíèå — íàñòàâëÿòü
Ðåéòèíã:
Ïðîñìîòðîâ: 2 439
Íàçâàíèå:
The Ballad of Songbirds and Snakes / Áàëëàäà î çìåÿõ è ïåâ÷èõ ïòèöàõ (by Suzanne Collins, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Meet Cute Diary / Çíàêîìüòåñü, ìèëûé äíåâíèê (by Emery Lee, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Meet Cute Diary / Çíàêîìüòåñü, ìèëûé äíåâíèê (by Emery Lee, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Íè äëÿ êîãî íå ñåêðåò, ÷òî ìèð áëîãåðñòâà ïîëîí ôàëüøè è îáìàíà. Òåì íå ìåíåå âñå áóêâàëüíî çàëèïàþò ó ìîíèòîðîâ ñìàðòôîíîâ è æäóò íîâîãî ñòðèìà èëè ëàéôà îò ñâîåãî êóìèðà. Äíåâíèê Íîÿ î÷åíü ïîïóëÿðåí è íàçûâàåòñÿ Meet Cute Diary. Îí ðàññ÷èòàí íà àóäèòîðèþ òðàíñãåíäåðîâ, êîòîðûå æèâóò ñ÷àñòëèâî â ñâîåì ìèðå.  áîëüøèíñòâå ñëó÷àåâ âûìûñëà â ðàçû áîëüøå ÷åì ïðàâäèâîñòè. À åñëè óæ áûòü ñîâñåì ÷åñòíûìè, òî âñå èñòîðèè â äíåâíèêå âûìûñåë. Ïîñëå òîãî, êàê îäèí òðîëëü ïóñòèë
Ðåéòèíã:
Ïðîñìîòðîâ: 2 320
Íàçâàíèå:
Meet Cute Diary / Çíàêîìüòåñü, ìèëûé äíåâíèê (by Emery Lee, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Soulmate Equation / Óðàâíåíèå ðîäñòâåííîé äóøè (by Christina Lauren, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Soulmate Equation / Óðàâíåíèå ðîäñòâåííîé äóøè (by Christina Lauren, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Àâòîð áåñòñåëëåðîâ New York Times âîçâðàùàåòñÿ ñ çàáàâíî îñòðîóìíûì è âåñåëûì ðîìàíîì, êîòîðûé ðàç è íàâñåãäà äîêàçûâàåò, ÷òî, õîòÿ äàííûå ìîæíî ëåãêî âçëîìàòü, ñâèäàíèÿ íå òàê ïðîñòû... Äýâèñ — ãåíèé ÷èñåë, íî, êîãäà äåëî äîõîäèò äî ëþáâè, åé ïðèøëîñü ïðèçíàòü, ÷òî âîëøåáíîé ôîðìóëû íå ñóùåñòâóåò. Ñîâìåùàÿ êàðüåðó ñ âîñïèòàíèåì äî÷åðè, íåóäèâèòåëüíî, ÷òî äëÿ åå ëè÷íîé æèçíè íåò ìåñòà. Êîãäà î÷åðåäíîå ñâèäàíèå çàêàí÷èâàåòñÿ êàòàñòðîôîé, îíà ãîòîâà íàâñåãäà îòêàçàòüñÿ îò
Ðåéòèíã:
Ïðîñìîòðîâ: 3 093
Íàçâàíèå:
The Soulmate Equation / Óðàâíåíèå ðîäñòâåííîé äóøè (by Christina Lauren, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

House of Hollow / Äîì ïóñòîòû (by Krystal Sutherland, 2021) - àóäèîêíèãà íà àíãëèéñêîì

House of Hollow / Äîì ïóñòîòû (by Krystal Sutherland, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Ýòà èñòîðèÿ áåðåò ñâîå íà÷àëî â ñîáûòèÿõ äåñÿòèëåòíåé äàâíîñòè. Ïî íåîáúÿñíèìûì ïðè÷èíàì ïðîïàäàþò òðè äåâî÷êè â îäíîé ñåìüå. Êàêîå-òî âðåìÿ ñïóñòÿ îíè ïîÿâëÿòüñÿ ñî ñòðàííûì çíàêîì â îáëàñòè ãîðëà. Çíàê íàïîìèíàåò ïîëóìåñÿö. Ýòî äàëåêî íå âñå ñòðàííîñòè, êîòîðûå ïðîèçîøëè ñ ñåñòðàìè. Ñíà÷àëà èõ òåìíûå âîëîñû ñòàëè áåëûìè. Çàòåì èõ ãîëóáûå ãëàçà ïîñòåïåííî ñòàëè ÷åðíûìè. Äåâóøêè ñòàëè íåâûíîñèìî êðàñèâûìè è íåîáúÿñíèìî îïàñíûìè. Ñòàðøàÿ ñåñòðà Ãðåé ïðîïàäàåò ïðè
Ðåéòèíã:
Ïðîñìîòðîâ: 1 809
Íàçâàíèå:
House of Hollow / Äîì ïóñòîòû (by Krystal Sutherland, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Win (Windsor Horne Lockwood III) / Âèí (by Harlan Coben, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Win (Windsor Horne Lockwood III) / Âèí (by Harlan Coben, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Áîëåå äâàäöàòè ëåò íàçàä Ïàòðèöèÿ Ëîêâóä, êîòîðàÿ áûëà íàñëåäíèöåé, ïðè ñòðàííûõ îáñòîÿòåëüñòâàõ ïðîïàëà áåç âåñòè âî âðåìÿ îãðàáëåíèÿ ïîìåñòüÿ åå ñåìüè. Êàê âûÿñíèëîñü ïîçæå, îíà íåñêîëüêî ìåñÿöåâ ïðîâåëà â èçîëèðîâàííîé õèæèíå. Äåâóøêà ÷óäîì ñáåæàëà, íî è åå ïîõèòèòåëè ïðîïàëè áåññëåäíî. Âåùè, óêðàäåííûå ó åå ñåìüè, òàê è íå áûëè âîçâðàùåíû äî íàñòîÿùåãî âðåìåíè. Äàëåå àâòîð êíèãè ïåðåíîñèò ÷èòàòåëÿ â íàøå âðåìÿ.  Âåðõíåì Âåñò-Ñàéäå íàõîäÿò óáèòîãî îòøåëüíèêà âìåñòå ñ
Ðåéòèíã:
Ïðîñìîòðîâ: 2 752
Íàçâàíèå:
Win (Windsor Horne Lockwood III) / Âèí (by Harlan Coben, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Later / Ïîçæå (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Later / Ïîçæå (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Ñîâåðøåííî íîâûé ðîìàí ëåãåíäàðíîãî Ñòèâåíà Êèíãà, âûøåäøèé â ìàðòå 2021 ãîäà. Èíîãäà âçðîñëåíèå îçíà÷àåò íå òîëüêî íîâûå âîçìîæíîñòè è ïîëó÷åíèå òàêèõ æåëàåìûõ ñ äåòñòâà ïëþøåê, íî è ñòîëêíîâåíèå ñî ñâîèìè äåìîíàìè, êîòîðûå íå âñåì ïîä ñèëó. Ñûí îäèíîêîé ìàòåðè, Äæåéìè ïðîñòî æåëàåò îáû÷íîãî äåòñòâà, êàê ó âñåõ. Íî äëÿ ïàðíÿ ýòî ñîâåðøåííî íåðåàëüíî, òàê êàê îí íå ñîâñåì îáû÷íûé ðåáåíîê. Îò ðîæäåíèÿ Äæåéíàìè èìååò íååñòåñòâåííûå ñâåðõ ñïîñîáíîñòè. Ìàìà óáåæäàåò ñûíà õðàíèòü
Ðåéòèíã:
Ïðîñìîòðîâ: 2 240
Íàçâàíèå:
Later / Ïîçæå (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Rose Code / Êîäåêñ ðîçû (by Kate Quinn, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Rose Code / Êîäåêñ ðîçû (by Kate Quinn, 2021) - àóäèîêíèãà íà àíãëèéñêîì
1940 ãîä, Áëåò÷ëè-Ïàðê, Áàêèíãåìøèð. Òðè î÷åíü ðàçíûå æåíùèíû âåðáóþòñÿ â òàèíñòâåííûé Áëåò÷ëè-ïàðê, ãäå ëó÷øèå óìû Áðèòàíèè òðåíèðóþòñÿ â íàðóøåíèè íåìåöêèõ âîåííûõ êîäèðîâîê. Ó æèçíåðàäîñòíîé äåáþòàíòêè Îñëû ëèõîé ïðèíö Ãðåöèè Ôèëèïï, êîòîðûé ïîñûëàåò äåâóøêå ðîçû. Îíà íå òîëüêî ñâåòñêàÿ äåâóøêà, íî è ñîòðóäíèöà, ðàáîòàþùàÿ íàä ïåðåâîäîì ðàñøèôðîâàííûõ ñåêðåòîâ âðàãà. Ñàìîñòîÿòåëüíàÿ Ìàá âëàäååò ëåãåíäàðíûìè ìàøèíàìè äëÿ âçëîìà êîäîâ, ñêðûâàÿ ñòàðûå ðàíû è áåäíîñòü ñâîåãî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 427
Íàçâàíèå:
The Rose Code / Êîäåêñ ðîçû (by Kate Quinn, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Sooley / Ñóëè (by John Grisham, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Sooley / Ñóëè (by John Grisham, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Ëåòîì Ñàìóýëü ïîëó÷àåò øàíñ, êîòîðûé âûïàäàåò ðàç íà âñþ æèçíü. Îí óäîñòàèâàåòñÿ âîçìîæíîñòè ñûãðàòü â ïîêàçàòåëüíîì áàñêåòáîëüíîì òóðíèðå. Ïàðåíü íèêîãäà íå áûë âäàëè îò äîìà è íèêîãäà íå ëåòàë íà ñàìîëåòå. Ñàìóýëü óäèâèòåëüíûé ñïîðòñìåí, ñî ñêîðîñòüþ, áûñòðîòîé, è âåðòèêàëüíûì ïðûæêîì, ÷òî íåìàëîâàæíî â áàñêåòáîëå. Âî âðåìÿ òóðíèðà, «Ñóëåé» ïîëó÷àåò ñîêðóøèòåëüíûå íîâîñòè èç äîìà: ãðàæäàíñêàÿ âîéíà áóøóåò â Þæíîì Ñóäàíå è ìÿòåæíûå âîéñêà âîøëè â åãî äåðåâíþ. Îòöà óáèëè,
Ðåéòèíã:
Ïðîñìîòðîâ: 1 983
Íàçâàíèå:
Sooley / Ñóëè (by John Grisham, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Four Winds / ×åòûðå âåòðà (by Kristin Hannah, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Four Winds / ×åòûðå âåòðà (by Kristin Hannah, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Òåõàñ, 1921 ãîä. Âðåìÿ èçîáèëèÿ. Âåëèêàÿ âîéíà çàêîí÷èëàñü, çåìëÿ â èçîáèëèè, è Àìåðèêà ñòîèò íà ïîðîãå íîâîé è îïòèìèñòè÷åñêîé ýðû. Íî äëÿ Ýëüçû Óîëêîòò, êîòîðóþ ñ÷èòàþò ñëèøêîì ñòàðîé, ÷òîáû âûõîäèòü çàìóæ â òî âðåìÿ, êîãäà áðàê — åäèíñòâåííûé âûõîä äëÿ æåíùèíû, áóäóùåå êàæåòñÿ ìðà÷íûì. Äî íî÷è îíà âñòðå÷àåò Ðýéôà Ìàðòèíåëëè è ðåøàåò èçìåíèòü íàïðàâëåíèå ñâîåé æèçíè. Ñ åå ðàçðóøåííîé ðåïóòàöèåé îñòàåòñÿ òîëüêî îäèí ðåñïåêòàáåëüíûé âûáîð: âûéòè çàìóæ çà ìóæ÷èíó, êîòîðîãî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 908
Íàçâàíèå:
The Four Winds / ×åòûðå âåòðà (by Kristin Hannah, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Milk and Honey / Ìîëîêî è ìåä (by Rupi Kaur, 2016) - àóäèîêíèãà íà àíãëèéñêîì

Milk and Honey / Ìîëîêî è ìåä (by Rupi Kaur, 2016) - àóäèîêíèãà íà àíãëèéñêîì
«Ìîëîêî è ìåä» – ýòî ñáîðíèê ñòèõîâ è ïðîçû î âûæèâàíèè. Îá îïûòå íàñèëèÿ, æåñòîêîãî îáðàùåíèÿ, ëþáâè, ïîòåðè è æåíñòâåííîñòè. Àóäèîêíèãà ðàçäåëåíà íà ÷åòûðå ãëàâû, êàæäàÿ èç êîòîðûõ ñëóæèò ñâîåé öåëè. Èìååò äåëî ñ äðóãîé áîëüþ. Ëå÷èò äðóãóþ äóøåâíóþ áîëü. «Milk and Honey» ïåðåíîñèò ñëóøàòåëåé â ïóòåøåñòâèå ïî ñàìûì ãîðüêèì ìîìåíòàì æèçíè è íàõîäèò â íèõ ñëàäîñòü, ïîòîìó ÷òî ñëàäîñòü åñòü âåçäå, åñëè âû ïðîñòî õîòèòå ïîñìîòðåòü. Îíà ïèøåò î ëþáâè è ïîòåðå, òðàâìàõ è
Ðåéòèíã:
Ïðîñìîòðîâ: 3 035
Íàçâàíèå:
Milk and Honey / Ìîëîêî è ìåä (by Rupi Kaur, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Troubled Blood: A Cormoran Strike / Äóðíàÿ êðîâü: Êîðìîðàíñêèé óäàð (by Robert Galbraith, 2020) - àóäèîêíèãà íà àíãëèéñêîì

Troubled Blood: A Cormoran Strike / Äóðíàÿ êðîâü: Êîðìîðàíñêèé óäàð (by Robert Galbraith, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Êîðìîðàí Ñòðàéê íàâåùàåò ñâîþ ñåìüþ â Êîðíóîëëå. Ê íåìó îáðàùàåòñÿ æåíùèíà ñ ïðîñüáîé ïîìî÷ü íàéòè åå ìàòü, Ìàðãî Áýìáîðî, êîòîðàÿ ïðîïàëà áåç âåñòè ïðè çàãàäî÷íûõ îáñòîÿòåëüñòâàõ â äàëåêîì 1974 ãîäó. Ñòðàéê íèêîãäà ðàíüøå íå çàíèìàëñÿ ïóñòûì äåëîì, íå ãîâîðÿ óæå î òîì, ÷òî åìó 40 ëåò. Íåñìîòðÿ íà íåçíà÷èòåëüíûå øàíñû íà óñïåõ, îí âñ¸-òàêè çàèíòðèãîâàí è áåðåòñÿ çà ýòî äåëî, äîáàâëÿÿ åãî ê äëèííîìó ñïèñêó äåë, íàä êîòîðûìè â íàñòîÿùåå âðåìÿ ðàáîòàþò îí è åãî ïàðòíåð â
Ðåéòèíã:
Ïðîñìîòðîâ: 3 329
Íàçâàíèå:
Troubled Blood: A Cormoran Strike / Äóðíàÿ êðîâü: Êîðìîðàíñêèé óäàð (by Robert Galbraith, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Mere Christianity / Ïðîñòîå õðèñòèàíñòâî (by C.S. Lewis, 2004) - àóäèîêíèãà íà àíãëèéñêîì

Mere Christianity / Ïðîñòîå õðèñòèàíñòâî (by C.S. Lewis, 2004) - àóäèîêíèãà íà àíãëèéñêîì
Ïðîñòîå õðèñòèàíñòâî — ýòî ñèëüíàÿ è äîñòóïíàÿ äîêòðèíà õðèñòèàíñêîé âåðû Ê.Ñ.Ëüþèñà. Âïåðâûå ïðîçâó÷àâøèå â âèäå íåôîðìàëüíûõ ðàäèîïåðåäà÷, à çàòåì îïóáëèêîâàííûé â âèäå òðåõ îòäåëüíûõ êíèã. «Äåëî â ïîëüçó õðèñòèàíñòâà», «Õðèñòèàíñêîå ïîâåäåíèå» è «Çà ïðåäåëàìè ëè÷íîñòè», «Ïðîñòîå õðèñòèàíñòâî» îáúåäèíÿåò òî, ÷òî Ëüþèñ ñ÷èòàåò ôóíäàìåíòàëüíûìè èñòèíàìè ðåëèãèè. Îòâåðãàÿ ãðàíèöû, ðàçäåëÿþùèå ìíîãèå êîíôåññèè õðèñòèàíñòâà, àâòîð íàõîäèò îáùóþ îñíîâó, íà êîòîðîé ìîãóò âìåñòå
Ðåéòèíã:
Ïðîñìîòðîâ: 1 340
Íàçâàíèå:
Mere Christianity / Ïðîñòîå õðèñòèàíñòâî (by C.S. Lewis, 2004) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

A Court of Silver Flames / Äâîð ñåðåáðÿíîãî ïëàìåíè (by Sarah J. Maas, 2021) - àóäèîêíèãà íà àíãëèéñêîì

A Court of Silver Flames / Äâîð ñåðåáðÿíîãî ïëàìåíè (by Sarah J. Maas, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Íýñòà Àð÷åðîí ñêîëüêî ñåáÿ ïîìíèò, áûëà çàäèðèñòîé, îò÷àñòè ãîðäåëèâîé, î÷åíü áûñòðîé íà ãíåâ è êðàéíå ìåäëèòåëüíîé ê ïðîùåíèþ, ïî ñóòè îíà âîîáùå ìàëî ÷òî ïðîùàëà. ×òî æå äåëàòü, êîãäà îíà ïðîòèâ ñâîåé âîëè îêàçàëàñü â Êîòëå è ñòàëà Âûñøåé Ôåéðè. Äåâóøêà èçî âñåõ ñèë ïûòàëàñü íàéòè ñåáå ñòàáèëüíîå ìåñòî â ñòðàííîì, ñìåðòîíîñíîì ìèðå, â êîòîðîì îíà îáèòàåò íå ïî ñîáñòâåííîìó æåëàíèþ. Íåñïîêîéíûé óì òî è äåëî ïîñòîÿííî íàñûùàåò áóäíè âûçîâàìè. Õóæå òîãî, îíà íå ìîæåò ïðîéòè
Ðåéòèíã:
Ïðîñìîòðîâ: 7 679
Íàçâàíèå:
A Court of Silver Flames / Äâîð ñåðåáðÿíîãî ïëàìåíè (by Sarah J. Maas, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Great Gatsby / Âåëèêèé Ãýòñáè (by Francis Scott Fitzgerald, 2014) - àóäèîêíèãà íà àíãëèéñêîì

The Great Gatsby / Âåëèêèé Ãýòñáè (by Francis Scott Fitzgerald, 2014) - àóäèîêíèãà íà àíãëèéñêîì
Íèê Êàððàâåé, æèòåëü Ñðåäíåãî Çàïàäà, ïðîäàâåö îáëèãàöèé Íüþ-Éîðêà, êîòîðûé ñíèìàåò íåáîëüøîé äîì ïî ñîñåäñòâó ñ òàèíñòâåííûì ìèëëèîíåðîì Äæååì Ãýòñáè. Òàì îí âîî÷èþ óâèäåë ðîñêîøíûå âå÷åðèíêè Ãýòñáè â West Egg è åãî áåññìåðòíóþ ëþáîâü ê ïðåêðàñíîé Äåéçè Áüþêåíåí. Ïîñëå âñòðå÷è è ïîòåðè Äåéçè âî âðåìÿ âîéíû Ãýòñáè íåâåðîÿòíî ðàçáîãàòåë. Òåïåðü îí ñ÷èòàåò, ÷òî åãî åäèíñòâåííûé ïóòü ê èñòèííîìó ñ÷àñòüþ — ýòî âåðíóòüñÿ â æèçíü äåâóøêè. Äæåé èñïîëüçóåò Íèêà, ÷òîáû ïîïûòàòüñÿ
Ðåéòèíã:
Ïðîñìîòðîâ: 3 531
Íàçâàíèå:
The Great Gatsby / Âåëèêèé Ãýòñáè (by Francis Scott Fitzgerald, 2014) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì

Óðîâåíü Upper-intermediate ìîæíî áûëî áû ïîêîðèòü òîëüêî çà òî, ÷òî, äîéäÿ ê íåìó îòêðûâàåòñÿ âîçìîæíîñòü äëÿ ïîëíîöåííîãî è ýôôåêòèâíîãî ïðîñëóøèâàíèÿ è ïîíèìàíèÿ òàêèõ äâóõ ñåðèé êíèã êàê A Game of Thrones by George R. R. Martin è Harry Potter by J. K. Rowling. Íóæíî çíàòü îêîëî äâóõ òûñÿ÷ îñíîâíûõ ñëîâ íà àíãëèéñêîì äëÿ ëåãêîãî ïðîñëóøèâàíèÿ è äàëüíåéøåãî ñîâåðøåíñòâîâàíèÿ äàííîãî óðîâíÿ. Èçó÷àþùèé àíãëèéñêèé íàõîäèòñÿ íà ôèíèøíîé ïðÿìîé. Ñ òàêèìè çíàíèÿìè ìîæíî íå òî ÷òî àóäèîêíèãè ñëóøàòü, à ñìåëî îòïðàâëÿòüñÿ â ïóòåøåñòâèÿ è äàæå ïîñòóïàòü â ó÷åáíûå çàâåäåíèÿ ãäå âåäóò ïðåïîäàâàíèå íà àíãëèéñêîì. Ýòî áåññïîðíûé óñïåõ! Áûòîâîå îáùåíèå ñòàíîâèòñÿ äîâîëüíî òåñíûì äëÿ ÷åëîâåêà ñ òàêèì óðîâíåì âëàäåíèÿ àíãëèéñêèì, è îí âûõîäèò çà ðàìêè ïðèâû÷íîãî. Âîçíèêàåò èíòåðåñ ê èçó÷åíèþ ñëîâ â êàêîé-òî óçêîñïåöèàëèçèðîâàíîé ñôåðå. Àóäèîêíèãè óðîâíÿ Upper-intermediate ñòàíîâÿòñÿ íåîòúåìëåìîé ÷àñòüþ äîñòèãíóòîãî, íî òàê êàê ñîâåðøåíñòâîâàíèþ íåò ïðåäåëà, òî óðîâåíü Advanced, êîòîðûé èäåò ñëåäîì, áóäåò ëîãè÷íûì ïðîäîëæåíèåì.

  • Ïîïóëÿðíûå êóðñû

    Ïðåäîñòàâëÿåì äëÿ âàøåãî âíèìàíèÿ ñàìûå ýôôåêòèâíûå íà ñåãîäíÿøíèé äåíü áåñïëàòíûå îíëàéí êóðñû äëÿ èçó÷åíèÿ àíãëèéñêîãî ÿçûêà.

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    Äîáèâàéòåñü óñïåõîâ, óìíîæàÿ ñâîè çíàíèÿ àíãëèéñêîãî ÿçûêà

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  • Ó÷åáíèêè ïî àíãëèéñêîìó ÿçûêó

    Ìû ïðåäîñòàâëÿåì íàøèì ñòóäåíòàì ëó÷øèå ó÷åáíûå ìàòåðèàëû

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    Âû íàéäåòå îòâåòû íà âñå âîïðîñû è ñìîæåòå íàéòè åäèíîìûøëåííèêîâ äëÿ ñîâìåñòíîãî èçó÷åíèÿ

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