<> Ëó÷øèé ñåðâèñ äëÿ èçó÷åíèÿ àíãëèéñêîãî íà ñëóõ <> Ñåðèàëû è ôèëüìû ñ äâîéíûìè ñóáòèòðàìè <> Èãðû äëÿ èçó÷åíèÿ <> Ïðîâåðü ñâîé óðîâåíü àíãëèéñêîãî
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The Wish / Æåëàíèå (by Nicholas Sparks, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Wish / Æåëàíèå (by Nicholas Sparks, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Êíèãà-îòêðîâåíèå, â êîòîðîé ïîäíèìàþòñÿ ñàìûå èñêðåííèå è òàéíûå æåëàíèÿ ïðîñòîé ÷åëîâå÷åñêîé äóøè. Ïðåïÿòñòâèÿ ñòàíîâÿòñÿ äëÿ ãëàâíîé ãåðîèíè îäíîâðåìåííî ñèëîé, òîëêàþùåé íà íîâûå ñâåðøåíèÿ, è ðàçðóøåíèåì, îáíàæàþùèì òîíêîñòü æåíñêîãî ìèðà.  ñâîè 16 ëåò Ìýããè Äîóñ âûíóæäåíà ïåðååõàòü íà îòäàëåííûé îñòðîâ ê ìàëîçíàêîìîé ðîäñòâåííèöå. Äåðåâåíñêàÿ ñðåäà îáèòàíèÿ è ïî÷òè îòñóòñòâèå ëþäåé ïîñåëÿþò â ñåðäöå äåâóøêè ãðóñòü ïî îñòàâëåííîé ñåìüå è òðåâîãó çà áóäóùåå. Çíàêîìñòâî ñ
Ðåéòèíã:
Ïðîñìîòðîâ: 7 860
Íàçâàíèå:
The Wish / Æåëàíèå (by Nicholas Sparks, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Outsiders / Èçãîè (by S. E. Hinton, 2004) - àóäèîêíèãà íà àíãëèéñêîì

The Outsiders / Èçãîè (by S. E. Hinton, 2004) - àóäèîêíèãà íà àíãëèéñêîì
Ýòî êëàññè÷åñêîå ïðîèçâåäåíèå áûëî íàïèñàíî â ñåðåäèíå ïðîøëîãî âåêà, íî åãî àêòóàëüíîñòü íå ïîòåðÿëàñü. Ïîíèáîé ó÷èòñÿ â øêîëå íà þãî-çàïàäå ñòðàíû, ãäå ÿðêî âèäíà äèôôåðåíöèàöèÿ øêîëüíîãî îáùåñòâà. Ó íåãî åñòü äðóçüÿ ïðèìåðíî îäèíàêîâîãî ñîöèàëüíîãî ïîëîæåíèÿ, è ïàðíè ïûòàþòñÿ âûæèòü è íå ñëîìàòüñÿ ñðåäè èçáàëîâàííûõ ìàæîðîâ, êîòîðûå òî è äåëî ïðèäóìûâàþò íîâûå ðàçâëå÷åíèÿ ïî ðåãóëÿðíûì óíèæåíèÿì.  ñòàðøåé øêîëå ñòàíîâèòñÿ òðóäíî íå èñïûòûâàòü äóøåâíûé è ìîðàëüíûé
Ðåéòèíã:
Ïðîñìîòðîâ: 4 671
Íàçâàíèå:
The Outsiders / Èçãîè (by S. E. Hinton, 2004) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Song of Achilles / Ïåñíü îá Àõèëëå (by Madeline Miller, 2012) - àóäèîêíèãà íà àíãëèéñêîì

The Song of Achilles / Ïåñíü îá Àõèëëå (by Madeline Miller, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Òðîÿíñêàÿ âîéíà ãëàçàìè ñîâðåìåííîãî ïèñàòåëÿ áóäîðàæèò âîîáðàæåíèå è êðîâü.  ýòîé êíèãå ðàñêðûâàþòñÿ âñå ñëàâíûå ýïè÷åñêèå ìîìåíòû, êîòîðûå åùå áîëüøå íàñûùåíû âñåìè îòòåíêàìè ëþáâè, ñòðàñòè, äðóæáû è âîéíû. Îãðîìíóþ ðîëü èãðàåò ïðîòèâîñòîÿíèå ìåæäó ëþäüìè, áîãàìè è êîðîëÿìè. Àõèëëåñ, ïðåêðàñíûé ïðèíö è ÷óäåñíûé ïàðåíü, ïîäðóæèëñÿ ñ Ïàòðîêëîì. Äðóçüÿ ÿâëÿþòñÿ ïîëíîé ïðîòèâîïîëîæíîñòüþ äðóã äðóãà, òî÷íî òàê æå ê íèì îòíîñÿòñÿ è îêðóæàþùèå. Ìàòü-áîãèíÿ Àõèëëåñà êàòåãîðè÷åñêè
Ðåéòèíã:
Ïðîñìîòðîâ: 4 028
Íàçâàíèå:
The Song of Achilles / Ïåñíü îá Àõèëëå (by Madeline Miller, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Shuggie Bain / Øàããè Áåéí (by Douglas Stuart, 2020) - àóäèîêíèãà íà àíãëèéñêîì

Shuggie Bain / Øàããè Áåéí (by Douglas Stuart, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Èñòîðèÿ î òîíêîé çàâèñèìîñòè â ñåìüå ïðîñòûõ ðàáî÷èõ èç Ãëàçãî, êîòîðàÿ îêàçàëàñü íà ãðàíè âûæèâàíèÿ. Ìàòü 6-ëåòíåãî Øàããè Áåéíà ïðèñòðàñòèëàñü ê âûïèâêå, ÷òîáû óéòè îò ðåàëüíîñòè è íå îòÿæåëÿòü ñåáÿ ïðîáëåìàìè îáåñïå÷åíèÿ ñåìüè. Ñòàðøèå äåòè ïðèäóìàëè ñïîñîáû óõîäà îò õìóðîãî è ñåðîãî ñåìåéíîãî ìèðîâîñïðèÿòèÿ, à Øàããè îäèí ñî âñåõ ïûòàåòñÿ ïðîÿâëÿòü çàáîòó î ìàìå. Æåíùèíà îòâå÷àåò ñûíó âçàèìíîñòüþ, íî çàâèñèìîñòü îò àëêîãîëÿ è âûäóìàííîé ðåàëüíîñòè íàñòîëüêî ñèëüíà, ÷òî
Ðåéòèíã:
Ïðîñìîòðîâ: 3 889
Íàçâàíèå:
Shuggie Bain / Øàããè Áåéí (by Douglas Stuart, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Couple Next Door / Ñóïðóãè ïî ñîñåäñòâó (by Shari Lapena, 2016) - àóäèîêíèãà íà àíãëèéñêîì

The Couple Next Door / Ñóïðóãè ïî ñîñåäñòâó (by Shari Lapena, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Àííà è Ìàðêî Êîíòè – èäåàëüíûå ñóïðóãè, êîòîðûå âîñïèòûâàþò äî÷ü Êîðó. Âñå ó íèõ õîðîøî, â ñåìüå ïðèñóòñòâóåò ëþáîâü è âçàèìîïîíèìàíèå. Ïðè ýòîì ïàðà íå âåäåò çàìêíóòóþ æèçíü, íàîáîðîò, âûõîäèò â ãîñòè ê äðóçüÿì, ïîñåùàåò ðàçëè÷íûå ìåðîïðèÿòèÿ. Êàê-òî îäèí ðàç, ïîêà Àííà è Ìàðêî áûëè íà çâàíîì óæèíå, â èõ äîìå ïðîèçîøëà ñòðàøíàÿ òðàãåäèÿ. Ìíîãèå æèòåëè ðàéîíà ïðèøëè â óæàñ, óçíàâ î ñëó÷èâøåìñÿ, à ïîëèöèÿ ïðèñòóïèëà ê ðàññëåäîâàíèþ, ÷òîáû êàê ìîæíî ñêîðåå íàéòè âèíîâíûõ.
Ðåéòèíã:
Ïðîñìîòðîâ: 4 295
Íàçâàíèå:
The Couple Next Door / Ñóïðóãè ïî ñîñåäñòâó (by Shari Lapena, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson / Âåëè÷àéøèé óðîê æèçíè, èëè Âòîðíèêè ñ Ìîððè (by Mitch Albom, 2007) - àóäèîêíèãà íà àíãëèéñêîì

Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson / Âåëè÷àéøèé óðîê æèçíè, èëè Âòîðíèêè ñ Ìîððè (by Mitch Albom, 2007) - àóäèîêíèãà íà àíãëèéñêîì
Âåëèêèå óðîêè æèçíè ìû ïîëó÷àåì åùå â ìîëîäîì âîçðàñòå, íî ïîòîì ëèáî çàáûâàåì èõ, ëèáî ïûòàåìñÿ èãíîðèðîâàòü, âñå äåëàÿ ïî-ñâîåìó. Òàê ïðîèçîøëî â æèçíè Ìèò÷à Àëáîìà, àâòîðà êíèãè. Äâàäöàòü ëåò ñïóñòÿ ïîñëå îêîí÷àíèÿ êîëëåäæà îí ïîíÿë, ÷òî Ìîððè Øâàðö, óâàæàåìûé âî âðåìÿ ó÷åáû ïðîôåññîð, áûë òåì ñàìûì åäèíñòâåííûì ìóäðûì ÷åëîâåêîì, ê ñîâåòàì êîòîðîãî ñòîèëî ïðèñëóøèâàòüñÿ. Ìèò÷ ðåøèë îòûñêàòü íàñòàâíèêà, ÷òîáû çàäàòü åìó íàêîïèâøèåñÿ æèçíåííûå âîïðîñû, íàéòè ïîääåðæêó â åãî
Ðåéòèíã:
Ïðîñìîòðîâ: 5 637
Íàçâàíèå:
Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson / Âåëè÷àéøèé óðîê æèçíè, èëè Âòîðíèêè ñ Ìîððè (by Mitch Albom, 2007) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The 5 AM Club: Own Your Morning. Elevate Your Life / Êëóá «5 ÷àñîâ óòðà» (by Robin Sharma, 2018) - àóäèîêíèãà íà àíãëèéñêîì

The 5 AM Club: Own Your Morning. Elevate Your Life / Êëóá «5 ÷àñîâ óòðà» (by Robin Sharma, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Ñóùåñòâóåò ìíîãî ïðèìåðîâ òîãî, ÷òî ïðèâû÷êà ðàíî âñòàâàòü ïðåâðàùàåò ÷åëîâåêà â ëèäåðà â ñâîåé ñôåðå. Òàêæå îíà ïîçâîëÿåò äåëàòü ðàáîòó ïðîäóêòèâíî, ðàñêðûâàÿ ãëóáîêèé ïîòåíöèàë è òðåáóÿ äëÿ ýòîãî íå òàêîå çíà÷èòåëüíîå êîëè÷åñòâî óñèëèé, êàê îò ëþäåé, ïðåäïî÷èòàþùèõ ñïàòü ïîäîëüøå. Ðîáèí Øàðìà ðåøèë íàïèñàòü öåëóþ èíñòðóêöèþ äëÿ óòðåííåãî ïðîðûâà. Åùå áîëåå 20 ëåò íàçàä îí ñîçäàë êëóá «5 óòðà», à ñåãîäíÿ ÷èòàòåëè âñåãî ìèðà èìåþò âîçìîæíîñòü ïîçíàêîìèòüñÿ ñ êîíöåïöèåé
Ðåéòèíã:
Ïðîñìîòðîâ: 4 957
Íàçâàíèå:
The 5 AM Club: Own Your Morning. Elevate Your Life / Êëóá «5 ÷àñîâ óòðà» (by Robin Sharma, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The 4-Hour Workweek: Escape 9-5, Live Anywhere, and the New Rich / Êàê ðàáîòàòü ïî ÷åòûðå ÷àñà â íåäåëþ (by Timothy Ferriss, 2008) - àóäèîêíèãà íà àíãëèéñêîì

The 4-Hour Workweek: Escape 9-5, Live Anywhere, and the New Rich / Êàê ðàáîòàòü ïî ÷åòûðå ÷àñà â íåäåëþ (by Timothy Ferriss, 2008) - àóäèîêíèãà íà àíãëèéñêîì
ßâëÿåòåñü ëè âû ïåðåãðóæåííûì ðàáîòîé ñîòðóäíèêîì èëè ïðåäïðèíèìàòåëåì, çàñòðÿâøèì â ñîáñòâåííîì äåëå, ýòà êíèãà - êîìïàñ äëÿ íîâîãî ìèðà. Ïðèñîåäèíÿéòåñü ê àâòîðó êíèãè, è îí íàó÷èò âàñ: - êàê ïåðåäàòü ñâîþ æèçíü íà àóòñîðñèíã çàðóáåæíûì âèðòóàëüíûì ïîìîùíèêàì çà 5 äîëëàðîâ â ÷àñ è äåëàòü âñå, ÷òî âû õîòèòå; - êàê õóäîæíèêè ïóòåøåñòâóþò ïî ìèðó, íå áðîñàÿ ñâîþ ðàáîòó; - êàê óñòðàíèòü 50 % âàøåé ðàáîòû çà 48 ÷àñîâ; - êàê îáìåíÿòü äîëãîñðî÷íóþ êàðüåðó íà êîðîòêèå ïåðåðûâû â
Ðåéòèíã:
Ïðîñìîòðîâ: 4 738
Íàçâàíèå:
The 4-Hour Workweek: Escape 9-5, Live Anywhere, and the New Rich / Êàê ðàáîòàòü ïî ÷åòûðå ÷àñà â íåäåëþ (by Timothy Ferriss, 2008) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Quiet: The Power of Introverts in a World That Can't Stop Talking / Òèøèíà: ñèëà èíòðîâåðòîâ â ìèðå, êîòîðûé íå ìîæåò çàìîëêíóòü (by Susan Cain, 2012) - àóäèîêíèãà íà àíãëèéñêîì

Quiet: The Power of Introverts in a World That Can't Stop Talking / Òèøèíà: ñèëà èíòðîâåðòîâ â ìèðå, êîòîðûé íå ìîæåò çàìîëêíóòü (by Susan Cain, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Êíèãà, êîòîðàÿ ïîëîæèëà íà÷àëî Òèõîé ðåâîëþöèè. Öåëàÿ òðåòü ëþäåé, êîòîðûå íàñ îêðóæàþò, ÿâëÿþòñÿ èíòðîâåðòàìè. Ýòî òå, êòî îòäàåò ïðåäïî÷òåíèå ñëóøàòü, à íå ãîâîðèòü; êòî âíåäðÿåò ïîñëåäíèå èííîâàöèè è ñîçäàåò íîâîå, íî íå ëþáèò àôèøèðîâàòü ýòî; êòî ïðåäïî÷èòàåò ðàáîòàòü â îäèíî÷êó, à íå ðàáîòàòü â êîìàíäå. Ðîçå Ïàðêñ, Øîïåíó, äîêòîðó Ñüþçó, Ñòèâó Âîçíÿêó — ìû îáÿçàíû ìíîãèìè èç âåëèêèõ âêëàäîâ â îáùåñòâî, à îíè èíòðîâåðòû.  "Òèøèíå" Ñüþçàí Êåéí äîêàæåò ôàêòàìè, ÷òî ìû
Ðåéòèíã:
Ïðîñìîòðîâ: 2 309
Íàçâàíèå:
Quiet: The Power of Introverts in a World That Can't Stop Talking / Òèøèíà: ñèëà èíòðîâåðòîâ â ìèðå, êîòîðûé íå ìîæåò çàìîëêíóòü (by Susan Cain, 2012) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Daily Stoic / Ñòîèöèçì íà êàæäûé äåíü (by Ryan Holiday, Stephen Hanselman, 2016) - àóäèîêíèãà íà àíãëèéñêîì

The Daily Stoic / Ñòîèöèçì íà êàæäûé äåíü (by Ryan Holiday, Stephen Hanselman, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Êðàñèâî óïàêîâàííàÿ, îäàðåííàÿ åæåäíåâíûì ïîñâÿùåíèåì ñòîè÷åñêîé ìóäðîñòè, îò àâòîðà áåñòñåëëåðà "Ïðåïÿòñòâèå - ýòî ïóòü". Ñîâðåìåííûå ÷èòàòåëè âîñõâàëÿþò ôèëîñîôèþ ñòîèêîâ çà åå óíèêàëüíîå ñî÷åòàíèå ïðàêòè÷íîñòè è ìóäðîñòè. Íî, ïî îáùåìó ïðèçíàíèþ, ñðåäíåìó ÷èòàòåëþ òðóäíî ðàñøèôðîâàòü èçäàíèå ðàáîòû Ìàðêà Àâðåëèÿ. Óñòàðåâøèé, èçëèøíå ôîðìàëüíûé ÿçûê áîëüøèíñòâà ñîâðåìåííûõ ïåðåâîäîâ ðàçîáðàí â ýòîé êíèãå, ðàñêðûâàÿ ìîùíûå àôîðèçìû, êîòîðûå ïðîíèêàþò ïðÿìî â ñóòü íàøèõ
Ðåéòèíã:
Ïðîñìîòðîâ: 2 134
Íàçâàíèå:
The Daily Stoic / Ñòîèöèçì íà êàæäûé äåíü (by Ryan Holiday, Stephen Hanselman, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Boundaries, Updated and Expanded Edition: When to Say Yes, How to Say No to Take Control of Your Life (by John Townsend, Henry Cloud, 2018) - àóäèîêíèãà íà àíãëèéñêîì

Boundaries, Updated and Expanded Edition: When to Say Yes, How to Say No to Take Control of Your Life (by John Townsend, Henry Cloud, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Ãðàíèöû - ýòî êíèãà, êîòîðàÿ ïîìîãëà áîëåå ÷åì ÷åòûðåì ìèëëèîíàì ëþäåé íàó÷èòüñÿ ãîâîðèòü "äà" è çíàòü, êàê ñêàçàòü "íåò", ÷òîáû âçÿòü ïîä êîíòðîëü ñâîþ æèçíü. Êàæåòñÿ ëè âàì, ÷òî âàøà æèçíü âûøëà èç-ïîä êîíòðîëÿ? Âîçìîæíî, âû ÷óâñòâóåòå, ÷òî äîëæíû îòâå÷àòü ñîãëàñèåì íà âñå ïðîñüáû. Ìîæåò áûòü, âû îáíàðóæèòå, ÷òî ñ ãîòîâíîñòüþ áåðåòå íà ñåáÿ îòâåòñòâåííîñòü çà ÷óâñòâà è ïðîáëåìû äðóãèõ ëþäåé. Èëè, âîçìîæíî, âû òàê ñîñðåäîòî÷åíû íà òîì, ÷òîáû áûòü ëþáÿùèì è áåñêîðûñòíûì, ÷òî
Ðåéòèíã:
Ïðîñìîòðîâ: 1 865
Íàçâàíèå:
Boundaries, Updated and Expanded Edition: When to Say Yes, How to Say No to Take Control of Your Life (by John Townsend, Henry Cloud, 2018) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Verity / Òàéíûé äíåâíèê Âåðèòè (by Colleen Hoover, 2019) - àóäèîêíèãà íà àíãëèéñêîì

Verity / Òàéíûé äíåâíèê Âåðèòè (by Colleen Hoover, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Ñåìåéñòâî Êðàóôîðä ïåðåæèâàåò íå ëó÷øèå âðåìåíà. Îáà ðàçáèòû ãîðåì ïîñëå óòðàòû äî÷åðè. Äà åùå è òðàâìà Âåðèòè ìåøàåò â ïðîäîëæåíèè óñïåøíîé êàðüåðû ïèñàòåëüíèöû.  ýòî æå âðåìÿ Ëîóýí Ýøëè, íà÷èíàþùàÿ ïèñàòåëüíèöà, êîòîðîé ñóäüáà óæå äàâíî íå óëûáàåòñÿ, íàõîäèòñÿ íà ãðàíè áàíêðîòñòâà. Âñòðå÷à ñ Äæåðåìè Êðàóôîðä êàê ëó÷èê ñâåòà äàåò íàäåæäó íà ðàáîòó. Äåëî â òîì, ÷òî ó Âåðèòè çàâàëÿëîñü ìíîãî íàáðîñêîâ, à òàê êàê ïèñàòåëüíèöà íå â ñèëàõ ïðîäîëæàòü áûëî ðåøåíî íàéòè ïîìîùíèöó.
Ðåéòèíã:
Ïðîñìîòðîâ: 2 377
Íàçâàíèå:
Verity / Òàéíûé äíåâíèê Âåðèòè (by Colleen Hoover, 2019) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

It Ends with Us / Âñå çàêîí÷èòñÿ íà íàñ (by Colleen Hoover, 2016) - àóäèîêíèãà íà àíãëèéñêîì

It Ends with Us / Âñå çàêîí÷èòñÿ íà íàñ (by Colleen Hoover, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Ïîñëå íàïèñàíèÿ äàííîé êíèãè àâòîð ïðèçíàëñÿ, ÷òî íèêîãäà â æèçíè íå ÷èòàëà ëþáîâíûõ ðîìàíîâ. Òåì íå ìåíåå êíèãà ïîëó÷èëàñü ñî÷íîé, ëåãêîé, èíòåðåñíîé, â ìåðó ïðèñòîéíîé è äîñòàòî÷íî ïîïóëÿðíîé, ÷òî ïîìîãëî ñòàòü Êîëèí Ãóâåð àâòîðîì áåñòñåëëåðîâ. Ëèëè è Àòëàñ Êîððèãàí èñïûòûâàþò âûñîêèå ÷óâñòâà äðóã ê äðóãó. Íåñìîòðÿ íà ýòî äåâóøêà ñòàâèò êàðüåðó è ðåàëèçàöèþ ñåáÿ êàê ëè÷íîñòè âûøå ëþáîâíîãî âëå÷åíèÿ. Ïîýòîìó ïîêèíóâ âîçëþáëåííîãî, äåâóøêà îòïðàâëÿåòñÿ â îãðîìíûé ãîðîä,
Ðåéòèíã:
Ïðîñìîòðîâ: 3 257
Íàçâàíèå:
It Ends with Us / Âñå çàêîí÷èòñÿ íà íàñ (by Colleen Hoover, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Very Hungry Caterpillar / Î÷åíü ãîëîäíàÿ ãóñåíèöà (by Eric Carle) - àóäèîêíèãà íà àíãëèéñêîì

The Very Hungry Caterpillar / Î÷åíü ãîëîäíàÿ ãóñåíèöà (by Eric Carle) - àóäèîêíèãà íà àíãëèéñêîì
Ïîæàëóé, ñàìàÿ ïîïóëÿðíàÿ è óçíàâàåìàÿ âî âñåõ óãîëêàõ ìèðà ñêàçêà. Âîçìîæíî âû âèäåëè êàðòèíêè ñ ãîëîäíîé, çåëåíîé ãóñåíèöåé, íî íå çíàëè íàñêîëüêî îíà øåäåâðàëüíà. Ãëàâíàÿ ãåðîèíÿ ýòîé çàáàâíîé èñòîðèè ãîëîäíàÿ ãóñåíèöà, êîòîðàÿ åñò âñå, ÷òî ïîïàäàåòñÿ ó íåå íà ïóòè. Äåíü çà äíåì îíà íàáèðàåòñÿ ñèë è óæå ìîæåò ïëåñòè ïàóòèíêó, òåì ñàìûì äåëàÿ ñåáå êîêîí è ïðåâðàùàÿñü â êóêîëêó. Ñî âðåìåíåì èç êóêîëêè ïîÿâëÿåòñÿ áàáî÷êà. Èçíà÷àëüíî àâòîðó ïðèøëà èäåÿ íàïèñàòü êíèãó î ÷åðâå,
Ðåéòèíã:
Ïðîñìîòðîâ: 4 092
Íàçâàíèå:
The Very Hungry Caterpillar / Î÷åíü ãîëîäíàÿ ãóñåíèöà (by Eric Carle) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ elementary íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
elementary

The Lincoln Highway / Øîññå Ëèíêîëüíà (by Amor Towles, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Lincoln Highway / Øîññå Ëèíêîëüíà (by Amor Towles, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Äåéñòâèå ðîìàíà ðàçâîðà÷èâàåòñÿ â Àìåðèêå 1950-õ ãîäîâ.  íà÷àëå èþíÿ 1954 ãîäà 18-ëåòíåãî Ýììåòà Óîòñîíà íà÷àëüíèê êîëîíèè äëÿ íåñîâåðøåííîëåòíèõ ïðèâîçèò äîìîé â Íåáðàñêó, ãäå îí òîëüêî ÷òî îòñèäåë 15 ìåñÿöåâ òþðüìû çà íåïðåäóìûøëåííîå óáèéñòâî. Åãî ðîäíàÿ ìàòü ïî÷èëà ñ ìèðîì äàâíûì-äàâíî, îòåö îòíîñèòåëüíî íåäàâíî óìåð, à íà ñåìåéíóþ ôåðìó ìåñòíûé áàíê íàëîæèë àðåñò ïî ðåøåíèþ ñóäà. Þíûé Ýììåò íàìåðåí çàáðàòü ìåíüøåãî áðàòà Áèëëè è åõàòü â Êàëèôîðíèþ, ãäå îíè íàìåðåíû
Ðåéòèíã:
Ïðîñìîòðîâ: 2 693
Íàçâàíèå:
The Lincoln Highway / Øîññå Ëèíêîëüíà (by Amor Towles, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

I Alone Can Fix It: Donald J. Trump's Catastrophic Final Year / ß îäèí ìîãó ýòî èñïðàâèòü: êàòàñòðîôè÷åñêèé ïîñëåäíèé ãîä Äîíàëüäà Òðàìïà (by Carol Leonnig, Philip Rucker, 2021) - àóäèîêíèãà íà àíãëèéñêîì

I Alone Can Fix It: Donald J. Trump's Catastrophic Final Year / ß îäèí ìîãó ýòî èñïðàâèòü: êàòàñòðîôè÷åñêèé ïîñëåäíèé ãîä Äîíàëüäà Òðàìïà (by Carol Leonnig, Philip Rucker, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Àâòîðàìè íàó÷íî-ïîïóëÿðíîãî áåñòñåëëåðà ÿâëÿþòñÿ æóðíàëèñòû øèðîêî-èçâåñòíîé ãàçåòû "Washington Post", Êýðîë Ëåîííèã è Ôèëèïï Ðóêåð. Íàçâàíèåì äëÿ êíèãè ïîñëóæèëà ïðÿìàÿ öèòàòà â äóõå èðîíèè, ñëåòåâøàÿ ñ óñò Äîíàëüäà Òðàìïà, êîãäà îí ïîñëåäíèé ãîä çàíèìàë ïðåçèäåíòñêîå êðåñëî ÑØÀ.  îñíîâó èçäàíèÿ ëåãëè ìíîæåñòâåííûå îïðîñû ëþäåé èç ðàçíîé ñîöèàëüíîé ïðîñëîéêè, à òàêæå äâà ðàçâåðíóòûõ èíòåðâüþ ñàìîãî Òðàìïà. Ðóêîïèñü áåðåò íà÷àëî åùå â 2019 ãîäó, êîãäà ãàðàíòó êîíñòèòóöèè
Ðåéòèíã:
Ïðîñìîòðîâ: 1 819
Íàçâàíèå:
I Alone Can Fix It: Donald J. Trump's Catastrophic Final Year / ß îäèí ìîãó ýòî èñïðàâèòü: êàòàñòðîôè÷åñêèé ïîñëåäíèé ãîä Äîíàëüäà Òðàìïà (by Carol Leonnig, Philip Rucker, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Mrs. Rochester’s Ghost / Ïðèçðàê ìèññèñ Ðî÷åñòåð (by Lindsay Marcott, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Mrs. Rochester’s Ghost / Ïðèçðàê ìèññèñ Ðî÷åñòåð (by Lindsay Marcott, 2021) - àóäèîêíèãà íà àíãëèéñêîì
 ñîâðåìåííîì è çàïóòàííîì ïåðåñêàçå ðîìàíà, ìîëîäàÿ æåíùèíà äîëæíà ïîäâåðãíóòü ñêåïòèöèçìó âñå, ÷òî, ïî åå ìíåíèþ, îíà çíàåò î ëþáâè, âåðíîñòè è óáèéñòâå. Ãåðîèíÿ ïîòåðÿëà âñå: ðàáîòó, ìàòü, îòíîøåíèÿ, äàæå êðûøó íàä ãîëîâîé. Äðóã çâîíèò, ÷òîáû ïðåäëîæèòü íåîáû÷íóþ ñäåëêó — êîòòåäæ íàä ãðîõî÷óùèì ïðèáîåì Áèã-Ñóðà â ïîìåñòüå åãî ðàáîòîäàòåëÿ Ýâàíà Ðî÷åñòåðà. Âçàìåí äåâóøêà áóäåò çàíèìàòüñÿ ñ åãî ðåáåíêîì. Îíà ñîãëàøàåòñÿ. Õîòÿ õîçÿèíà äîìà îáâèíÿþò â óáèéñòâå åãî æå
Ðåéòèíã:
Ïðîñìîòðîâ: 1 568
Íàçâàíèå:
Mrs. Rochester’s Ghost / Ïðèçðàê ìèññèñ Ðî÷åñòåð (by Lindsay Marcott, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Crucial Conversations: Tools for Talking When Stakes Are High / Òðóäíûå äèàëîãè. ×òî è êàê ãîâîðèòü, êîãäà ñòàâêè âûñîêè (by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Crucial Conversations: Tools for Talking When Stakes Are High / Òðóäíûå äèàëîãè. ×òî è êàê ãîâîðèòü, êîãäà ñòàâêè âûñîêè (by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Áåñòñåëëåð ïî âåðñèè Íüþ-Éîðê Òàéìñ, èçìåíèâøèé ñïîñîá îáùåíèÿ ìèëëèîíîâ, ïðèâëåêàåò íàøå âíèìàíèå ê òåì îïðåäåëÿþùèì ìîìåíòàì, êîòîðûå áóêâàëüíî ôîðìèðóþò íàøó æèçíü, íàøè îòíîøåíèÿ è íàø ìèð. "Ýòà êíèãà çàñëóæèâàåò òîãî, ÷òîáû çàíÿòü ñâîå ìåñòî â êà÷åñòâå îäíîãî èç êëþ÷åâûõ âêëàäîâ â ëèäåðñòâî íàøåãî âðåìåíè." - èç Ïðåäèñëîâèÿ Ñòèâåíà Ð. Êîâè, àâòîðà "7 ïðèâû÷åê âûñîêîýôôåêòèâíûõ ëþäåé". "Êà÷åñòâî âàøåé æèçíè çàâèñèò îò êà÷åñòâà âàøèõ äèàëîãîâ è áåñåä. Âîò êàê ìãíîâåííî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 446
Íàçâàíèå:
Crucial Conversations: Tools for Talking When Stakes Are High / Òðóäíûå äèàëîãè. ×òî è êàê ãîâîðèòü, êîãäà ñòàâêè âûñîêè (by Kerry Patterson, Joseph Grenny, Ron McMillan, Al Switzler, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Magic of Found Objects / Ìàãèÿ íàéäåííûõ ïðåäìåòîâ (by Maddie Dawson, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Magic of Found Objects / Ìàãèÿ íàéäåííûõ ïðåäìåòîâ (by Maddie Dawson, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Îò àâòîðà áåñòñåëëåðà "Ñâàòîâñòâî äëÿ íà÷èíàþùèõ" ïðèõîäèò ïðèÿòíàÿ èñòîðèÿ î òîì, êàê ñòàòü òåì, êåì âû äîëæíû áûëè áûòü âñå ýòî âðåìÿ. Ôðîí Ëèííåëë áûëà çà÷àòà â Âóäñòîêå â ðåçóëüòàòå ñ÷àñòëèâîé ñâÿçè ìåæäó ñâîáîäîëþáèâîé õèïïè è ñûíîì ôåðìåðà è ðîäèëàñü ñ âîëøåáíûì ÷óäîì, ìåðöàþùèì â åå ÄÍÊ, è ðàöèîíàëüíîñòüþ, âðîñøåé â åå êîñòè. Âñþ ñâîþ æèçíü îíà ðàçðûâàëàñü ìåæäó òåì è äðóãèì. Íî òåïåðü, êîãäà åå ïðåäàëè è ëþáîâü, è ìàòü, êîòîðóþ îíà êîãäà-òî áîãîòâîðèëà, åå
Ðåéòèíã:
Ïðîñìîòðîâ: 3 261
Íàçâàíèå:
The Magic of Found Objects / Ìàãèÿ íàéäåííûõ ïðåäìåòîâ (by Maddie Dawson, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Hobbit / Õîááèò (by J. R. R. Tolkien, 2020) - àóäèîêíèãà íà àíãëèéñêîì

The Hobbit / Õîááèò (by J. R. R. Tolkien, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Áèëüáî Áýããèíñ - õîááèò, êîòîðûé íàñëàæäàåòñÿ êîìôîðòíîé, íåçàìûñëîâàòîé, íå àìáèöèîçíîé æèçíüþ, ðåäêî ïóòåøåñòâóåò äàëüøå êëàäîâîé ñâîåé õîááè÷üåé íîðû â Áýã-Ýíäå. Íî åãî òèõèå áóäíè íàðóøàþòñÿ, êîãäà âîëøåáíèê Ãýíäàëüô Ñåðûé è êîìïàíèÿ èç 13 ãíîìîâ îäíàæäû ïîÿâëÿþòñÿ íà ïîðîãå, ÷òîáû óâåçòè â ïóòåøåñòâèå "òóäà è îáðàòíî". Êîìïàíèÿ îòïðàâëÿþòñÿ â óâëåêàòåëüíîå è êðàéíå îïàñíîå ïóòåøåñòâèå ñ ëåãåíäàðíûì Òîðèíîì Äóáîùèòîì. Íà èõ ïóòè áóäóò âñòðå÷àòüñÿ Ãîáëèíû è Îðêè, Âàðãè è
Ðåéòèíã:
Ïðîñìîòðîâ: 4 360
Íàçâàíèå:
The Hobbit / Õîááèò (by J. R. R. Tolkien, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Ikigai: The Japanese Secret to a Long and Happy Life / Èêèãàé: ßïîíñêèé ñåêðåò äîëãîé è ñ÷àñòëèâîé æèçíè (by Hector Garcia, sc Miralles, 2017) - àóäèîêíèãà íà àíãëèéñêîì

Ikigai: The Japanese Secret to a Long and Happy Life / Èêèãàé: ßïîíñêèé ñåêðåò äîëãîé è ñ÷àñòëèâîé æèçíè (by Hector Garcia, sc Miralles, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Íàïîëíèòå ñìûñëîì è ðàäîñòüþ âñå âàøè äíè ñ ïîìîùüþ ýòîãî âñåìèðíî ïîïóëÿðíîãî ðóêîâîäñòâà ïî ÿïîíñêîé êîíöåïöèè èêèãàé — ñ÷àñòüå âñåãäà áûòü çàíÿòûì, êàê ïîêàçûâàþò ïîâñåäíåâíûå ïðèâû÷êè ñàìûõ äîëãîæèâóùèõ ëþäåé â ìèðå. "Åñëè õþããå — ýòî èñêóññòâî íè÷åãî íå äåëàòü, èêèãàé — ýòî èñêóññòâî äåëàòü ÷òî-òî ñ ìàêñèìàëüíîé ñîñðåäîòî÷åííîñòüþ è ðàäîñòüþ" - Íüþ-Éîðê Ïîñò. "Òîëüêî îñòàâàÿñü àêòèâíûì, òû çàõî÷åøü ïðîæèòü ñòî ëåò" - ÿïîíñêàÿ ïîñëîâèöà. Ïî ìíåíèþ ÿïîíöåâ, ó êàæäîãî åñòü
Ðåéòèíã:
Ïðîñìîòðîâ: 2 382
Íàçâàíèå:
Ikigai: The Japanese Secret to a Long and Happy Life / Èêèãàé: ßïîíñêèé ñåêðåò äîëãîé è ñ÷àñòëèâîé æèçíè (by Hector Garcia, sc Miralles, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Untethered Soul: The Journey Beyond Yourself / Äóøà îñâîáîæä¸ííàÿ (by Michael A. Singer, 2011) - àóäèîêíèãà íà àíãëèéñêîì

The Untethered Soul: The Journey Beyond Yourself / Äóøà îñâîáîæä¸ííàÿ (by Michael A. Singer, 2011) - àóäèîêíèãà íà àíãëèéñêîì
Ðàíî èëè ïîçäíî êàæäûé èç íàñ çàäàåò ñåáå âîïðîñ — Êòî ÿ? Êîãäà âû íà÷íåòå èññëåäîâàòü ýòîò âîïðîñ, âû ïîéìåòå, íàñêîëüêî îí íåóëîâèì íà ñàìîì äåëå. ßâëÿåòåñü ëè âû ôèçè÷åñêèì òåëîì? Êîëëåêöèÿ âïå÷àòëåíèé è âîñïîìèíàíèé? Ïàðòíåð ïî îòíîøåíèÿì? Êàæäûé ðàç, êîãäà âû õîòèòå ðàññìîòðåòü ýòè àñïåêòû ñåáÿ, âû ïîíèìàåòå, ÷òî â âàñ åñòü íàìíîãî áîëüøå è ãëóáæå, ÷åì ìîæåò îïðåäåëèòü ëþáîé èç íèõ.  "Îòâÿçàííîé äóøå" äóõîâíûé ó÷èòåëü Ìàéêë Ñèíãåð çàíÿò èññëåäîâàíèåì âîïðîñà î òîì, êòî
Ðåéòèíã:
Ïðîñìîòðîâ: 1 993
Íàçâàíèå:
The Untethered Soul: The Journey Beyond Yourself / Äóøà îñâîáîæä¸ííàÿ (by Michael A. Singer, 2011) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Duke and I / Ãåðöîã è ÿ (by Julia Quinn, 2016) - àóäèîêíèãà íà àíãëèéñêîì

The Duke and I / Ãåðöîã è ÿ (by Julia Quinn, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Ñàéìîí Áàññåò, íåîòðàçèìûé è âñåìè ëþáèìûé ãåðöîã Ãàñòèíãñ, ðàçðàáîòàë ñâîé ðàñ÷åòëèâûé ïëàí, êàê óáåðå÷üñÿ îò ãîðîäñêèõ äàì, ïîìåøàííûõ íà áðàêå. Îí ïðèòâîðÿåòñÿ, ÷òî ïîìîëâëåí ñ î÷àðîâàòåëüíîé Äàôíîé Áðèäæåðòîí, à íà ñàìîì äåëå âêóøàåò õîëîñòÿöêóþ æèçíü ñ íåïîìåðíûì àïïåòèòîì.  êîíöå êîíöîâ, ó çàäóì÷èâîãî íåãîäÿÿ íåò íèêàêèõ ðåàëüíûõ ïëàíîâ æåíèòüñÿ, õîòÿ â ïðåëåñòíîé ìèññ Áðèäæåðòîí åñòü ÷òî - òî òàêîå, ÷òî çàñòàâëÿåò ñåðäöå Ñàéìîíà áèòüñÿ íåìíîãî áûñòðåå. Îáà
Ðåéòèíã:
Ïðîñìîòðîâ: 2 337
Íàçâàíèå:
The Duke and I / Ãåðöîã è ÿ (by Julia Quinn, 2016) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

A Court of Thorns and Roses / Êîðîëåâñòâî øèïîâ è ðîç (by Sarah J. Maas, 2015) - àóäèîêíèãà íà àíãëèéñêîì

A Court of Thorns and Roses / Êîðîëåâñòâî øèïîâ è ðîç (by Sarah J. Maas, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Ñåêñóàëüíàÿ, íàñûùåííàÿ ñîáûòèÿìè ïåðâàÿ êíèãà â ñåðèè áåñòñåëëåðîâ "Ñóä øèïîâ è ðîç" No 1 "Íüþ-Éîðê òàéìñ" îò Ñàðû Äæ.Ìààñ. Îäíàæäû äåâÿòíàäöàòèëåòíÿÿ îõîòíèöà Ôåéð çàùèùàÿ îëåíÿ, óáèâàåò äèêîãî âîëêà â ëåñó. Ïîñëå ýòîãî ïîÿâëÿåòñÿ óæàñíîå ñóùåñòâî, òðåáóþùåå âîçìåçäèÿ. Âòÿíóòàÿ â êîâàðíóþ âîëøåáíóþ ñòðàíó, î êîòîðîé îíà çíàåò òîëüêî èç ëåãåíä, Ôåéð ïîíèìàåò, ÷òî åå ïîõèòèòåëü íà ñàìîì äåëå íå çâåðü, à îäèí èç ñìåðòîíîñíûõ, áåññìåðòíûõ âîëøåáíèêîâ, êîòîðûå äàâíûì-äàâíî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 568
Íàçâàíèå:
A Court of Thorns and Roses / Êîðîëåâñòâî øèïîâ è ðîç (by Sarah J. Maas, 2015) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Pillars of the Earth / Ñòîëïû Çåìëè (by Ken Follett, 2006) - àóäèîêíèãà íà àíãëèéñêîì

The Pillars of the Earth / Ñòîëïû Çåìëè (by Ken Follett, 2006) - àóäèîêíèãà íà àíãëèéñêîì
Èñòîðèÿ ñòðàñòè è èäåàëèçìà, â êîòîðîé îïèñûâàåòñÿ ãðóïïà ìóæ÷èí è æåíùèí â Ñðåäíèå âåêà, ÷üè ñóäüáû ðîêîâûì îáðàçîì ñâÿçàíû ñî ñòðîèòåëüñòâîì ñîáîðà.  "Ñòîëïàõ çåìëè" ðàññêàçûâàåòñÿ èñòîðèÿ Ôèëèïïà, ïðèîðà Êèíãñáðèäæà, íàáîæíîãî è íàõîä÷èâîãî ìîíàõà, êîòîðîãî çàñòàâèëè ïîñòðîèòü âåëè÷àéøèé ãîòè÷åñêèé ñîáîð, èçâåñòíûé ìèðó... î Òîìå, êàìåíùèêå, êîòîðûé ñòàë åãî àðõèòåêòîðîì - ÷åëîâåêîì, ðàçäåëåííûì â ñâîåé äóøå... î ïðåêðàñíîé, íåóëîâèìîé ëåäè Àëèíå, ïðåñëåäóåìîé òàéíûì
Ðåéòèíã:
Ïðîñìîòðîâ: 1 476
Íàçâàíèå:
The Pillars of the Earth / Ñòîëïû Çåìëè (by Ken Follett, 2006) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Shadow Box / Òåíåâîé ÿùèê (by Luanne Rice, 2021) - àóäèîêíèãà íà àíãëèéñêîì

The Shadow Box / Òåíåâîé ÿùèê (by Luanne Rice, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Àâòîð áåñòñåëëåðîâ Amazon ïðåäñòàâëÿåò çàõâàòûâàþùèé òðèëëåð î òîì, êàê äàëåêî ãîòîâà çàéòè æåíà, ÷òîáû ðàñêðûòü ïðàâäó, è íà ÷òî êòî-òî ïîéäåò, ÷òîáû îñòàíîâèòü åå. Ïîñëå ïîêóøåíèÿ íà õóäîæíèöó Êëýð Áîäðè ×åéç åå îñòàâèëè óìèðàòü â åå æå äîìå íà ïîáåðåæüå Êîííåêòèêóòà. Ïîñëå ýòîãî ñëó÷àÿ æåíùèíà íå çíàåò, êîìó îíà ìîæåò äîâåðÿòü. Íî åå ìóæ ñ õîðîøèìè ñâÿçÿìè, Ãðèôôèí, áàëëîòèðóåòñÿ íà ïîñò ãóáåðíàòîðà è ÿâëÿåòñÿ åå ãëàâíûì ïîäîçðåâàåìûì. Íåïîñðåäñòâåííî íàêàíóíå íàïàäåíèÿ
Ðåéòèíã:
Ïðîñìîòðîâ: 1 709
Íàçâàíèå:
The Shadow Box / Òåíåâîé ÿùèê (by Luanne Rice, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

The Boy, the Mole, the Fox and the Horse / Ìàëü÷èê, Êðîò, Ëèñà è Ëîøàäü (by Charlie Mackesy, 2020) - àóäèîêíèãà íà àíãëèéñêîì

The Boy, the Mole, the Fox and the Horse / Ìàëü÷èê, Êðîò, Ëèñà è Ëîøàäü (by Charlie Mackesy, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Ìàëü÷èê, Êðîò, Ëèñà è Ëîøàäü — ýòî íå îáû÷íàÿ êíèæêà ñ êàðòèíêàìè. Âìåñòî ëèíåéíîãî ïîâåñòâîâàíèÿ ýòî ñáîðíèê òèõèõ ðàçìûøëåíèé è áåñåä. ×åòûðå òèòóëüíûõ ïåðñîíàæà âñòðå÷àþòñÿ äðóã ñ äðóãîì, è ðàçäåëÿþò äîâåðèå äðóã äðóãà. Îí íå íàöåëåí íà êàêóþ-ëèáî ÷åòêóþ àóäèòîðèþ è ðàáîòàåò êàê äëÿ âîñüìèëåòíèõ, òàê è äëÿ âîñüìèäåñÿòèëåòíèõ. È âñå æå â ïîñëåäíèå ìðà÷íûå ìåñÿöû 2019 ãîäà è òðåïåòíîå íà÷àëî 2020 ãîäà ýòî äàëî íàäåæäó ñîòíÿì òûñÿ÷ ëþäåé. ×àðëè Ìàêêåçè ïðåäëàãàåò âäîõíîâåíèå
Ðåéòèíã:
Ïðîñìîòðîâ: 9 480
Íàçâàíèå:
The Boy, the Mole, the Fox and the Horse / Ìàëü÷èê, Êðîò, Ëèñà è Ëîøàäü (by Charlie Mackesy, 2020) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
intermediate

The Seven Husbands of Evelyn Hugo / Ñåìü ìóæåé Ýâåëèí Õüþãî (by Taylor Jenkins Reid, 2017) - àóäèîêíèãà íà àíãëèéñêîì

The Seven Husbands of Evelyn Hugo / Ñåìü ìóæåé Ýâåëèí Õüþãî (by Taylor Jenkins Reid, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Îò Òåéëîðà Äæåíêèíñà Ðèäà, “ãåíèÿ, êîãäà äåëî äîõîäèò äî èñòîðèé î æèçíè è ëþáâè” (Redbook), ïðèõîäèò íåçàáûâàåìûé è çàõâàòûâàþùèé ðîìàí î íåóñòàííîì âîñõîæäåíèè îäíîé êëàññè÷åñêîé êèíîàêòðèñû íà âåðøèíó — î ðèñêàõ, íà êîòîðûå îíà ïîøëà, î ëþáâè, êîòîðóþ îíà ïîòåðÿëà, è î äàâíèõ ñåêðåòàõ, êîòîðûå ïóáëèêà íèêîãäà íå ìîãëà ñåáå ïðåäñòàâèòü. Èêîíà ãîëëèâóäñêîãî êèíî Ýâåëèí Õüþãî íà ñêëîíå ëåò ðåøàåòñÿ ðàññêàçàòü çàõâàòûâàþùóþ ïðàâäó î ñâîåé áóðíîé ìîëîäîé æèçíè. Êîíå÷íî æå
Ðåéòèíã:
Ïðîñìîòðîâ: 6 465
Íàçâàíèå:
The Seven Husbands of Evelyn Hugo / Ñåìü ìóæåé Ýâåëèí Õüþãî (by Taylor Jenkins Reid, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Billy Summers / Áèëëè Ñàììåðñ (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì

Billy Summers / Áèëëè Ñàììåðñ (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Ñòèâåí Êèíã ïðåäñòàâëÿåò ñâîå íîâîå òâîðåíèå, êîòîðîìó íåïðåìåííî óãîòîâàíî ìåñòî ñðåäè ñàìûõ íàøóìåâøèõ áåñòñåëëåðîâ. Âîîáðàæåíèå àâòîðà íåâîçìîæíî ñäåðæàòü. Íà ýòîò ðàç ðå÷ü ïîéäåò î êèëëåðå, ðàâíûõ êîòîðîìó íåò. Ó Áèëëè åñòü ñâîè ïðèíöèïû, òàêîé ñåáå «êîäåêñ ÷åñòè». Îí óáèâàåò òîëüêî î÷åíü ïëîõèõ ïàðíåé.  äðóãîì ñëó÷àå ãëàâíûé ãåðîé ñêîðåå âñåãî îòêàæåòñÿ îò ðàáîòû. Áåç òùàòåëüíîé ïðîâåðêè ëþäè íå óõîäÿò íà òîò ñâåò îò ðóê Ñàììåðñà. Áèëëè ïðîøåë âîéíó â Èðàêå, êîòîðàÿ
Ðåéòèíã:
Ïðîñìîòðîâ: 2 734
Íàçâàíèå:
Billy Summers / Áèëëè Ñàììåðñ (by Stephen King, 2021) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Make Your Bed: Little Things That Can Change Your Life...and Maybe the World (by William H. McRaven, 2017) - àóäèîêíèãà íà àíãëèéñêîì

Make Your Bed: Little Things That Can Change Your Life...and Maybe the World (by William H. McRaven, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Îñíîâàííûé íà âäîõíîâëÿþùåé ðå÷è âûïóñêíèêà Navy SEAL, ýòîò áåñòñåëëåð íîìåð îäèí â New York Times, ñîäåðæàùèé âàæíûå óðîêè æèçíè, «äîëæåí áûòü ïðî÷èòàí êàæäûì ëèäåðîì â Àìåðèêå» (Wall Street Journal). Åñëè êîíêðåòíî âû æåëàåòå èçìåíèòü öåëûé ìèð, íà÷íèòå ñ òîãî, ÷òî çàïðàâüòå ñâîþ êðîâàòü ïîñëå ïðîáóæäåíèÿ.  ìàå 2014 ãîäà àäìèðàë Óèëüÿì Õ. Ìàêðåéâåí ñêàçàë ðå÷ü ïåðåä ó÷àùèìèñÿ Òåõàññêîãî óíèâåðñèòåòà â Îñòèíå â äåíü èõ ïîñòóïëåíèÿ. Âäîõíîâëåííûé ëîçóíãîì äàííîãî
Ðåéòèíã:
Ïðîñìîòðîâ: 2 283
Íàçâàíèå:
Make Your Bed: Little Things That Can Change Your Life...and Maybe the World (by William H. McRaven, 2017) - àóäèîêíèãà íà àíãëèéñêîì
Æàíð:
Àóäèîêíèãè óðîâíÿ upper-intermediate íà àíãëèéñêîì
Óðîâåíü ñëîæíîñòè:
upper-intermediate

Àíãëèéñêèé ïî àóäèîêíèãàì, ñêà÷àòü, ñëóøàòü îíëàéí

Ïîêëîííèêè ïå÷àòíûõ èçäàíèé âðÿä ëè ñìîãóò îñïîðèòü òîò ôàêò, ÷òî àóäèîêíèãè íà àíãëèéñêîì ÿçûêå èìåþò áîëüøå ïðåèìóùåñòâ. Àíãëîÿçû÷íàÿ èíôîðìàöèÿ, âîñïðèíèìàåìàÿ íà ñëóõ, ýôôåêòèâíåå óñâàèâàåòñÿ íå òîëüêî íà ïåðâîíà÷àëüíîì ýòàïå îáó÷åíèÿ, íî è ïðîöåññå áîëåå ãëóáîêîãî ïîñòèæåíèÿ ìàòåðèàëà, ââèäó ðåãóëÿðíîãî äîñòóïà ê èñòî÷íèêó.  òî âðåìÿ êàê èç êíèã çàïîìèíàåòñÿ áóêâåííîå íàïèñàíèå çà ñ÷åò çðèòåëüíîãî êîíòàêòà ñ ó÷åáíèêîì èëè êíèãîé. Óäîáñòâî îáó÷åíèÿ – îäèí èç âåñîìûõ àðãóìåíòîâ â ïîëüçó àóäèî. Çà÷àñòóþ ó÷àùèåñÿ âûáèðàþò àóäèîêíèãè íà àíãëèéñêîì ÿçûêå äëÿ îçíàêîìëåíèÿ â ñâîáîäíîå âðåìÿ ïàññèâíîãî äîñóãà, âðåìÿ ïîåçäêè â òðàíñïîðòå, èëè ïðîáåæåê âìåñòî ìóçûêè âêëþ÷àÿ àóäèîêíèãó. Çàíèìàòüñÿ ñ êíèãàìè è ó÷åáíûìè ïîñîáèÿìè ìîæíî ïàðàëëåëüíî, ÷òî óñèëèò ýôôåêò âîñïðèÿòèÿ, à òàêæå ïîçâîëèò ðàçâèâàòüñÿ ðàçíîñòîðîííå, â öåëîñòíîé ñòðóêòóðå.  ýòîì è çàêëþ÷àåòñÿ íåîñïîðèìàÿ âàæíîñòü êîìïëåêñíîãî ïîäõîäà â ñàìîîáó÷åíèè. À ïîêà äîáðî ïîæàëîâàòü â ìèð àóäèîêíèã ñàìûõ ðàçëè÷íûõ æàíðîâ. Êàæäûé íàéäåò ïî âêóñó è èíòåðåñàì àóäèîêíèãè íà àíãëèéñêîì ÿçûêå â ðàçíûõ æàíðàõ, áóäü òî ëþáîâíûé ðîìàí, êíèãè èç êàòåãîðèè ïîëèòèêà èëè ðåëèãèÿ, ïñèõîëîãèÿ è ñàìîðàçâèòèå. Òàêèå çàíÿòèÿ íå óòîìèòåëüíû, ðàáîòà - ïðîäóêòèâíà, à ðåçóëüòàò – âïå÷àòëÿþùèé. Âïðî÷åì, âñå çàâèñèò îò óñèëèé è ñòàðàíèé.

  • Ïîïóëÿðíûå êóðñû

    Ïðåäîñòàâëÿåì äëÿ âàøåãî âíèìàíèÿ ñàìûå ýôôåêòèâíûå íà ñåãîäíÿøíèé äåíü áåñïëàòíûå îíëàéí êóðñû äëÿ èçó÷åíèÿ àíãëèéñêîãî ÿçûêà.

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  • Ïîëåçíûå ñòàòüè

    Äîáèâàéòåñü óñïåõîâ, óìíîæàÿ ñâîè çíàíèÿ àíãëèéñêîãî ÿçûêà

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  • Ó÷åáíèêè ïî àíãëèéñêîìó ÿçûêó

    Ìû ïðåäîñòàâëÿåì íàøèì ñòóäåíòàì ëó÷øèå ó÷åáíûå ìàòåðèàëû

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  • Ôîðóì

    Âû íàéäåòå îòâåòû íà âñå âîïðîñû è ñìîæåòå íàéòè åäèíîìûøëåííèêîâ äëÿ ñîâìåñòíîãî èçó÷åíèÿ

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